Tangled

Tangled (originally titled Rapunzel, which was retained as the film's European release title, or known as Rapunzel: A Tangled Tale, or the working title Rapunzel Unbraided) is an American animated film produced by Walt Disney Animation Studios and starring Mandy Moore and Zachary Levi, and is the 50th animated feature in the Walt Disney Animated Classics canon, released on November 24, 2010 in North America. The film tells the story of a lost princess with long magical hair who yearns to leave her secluded tower for an adventure. Against her stepmother's wishes, she accepts the aid of a handsome intruder to take her out into the world which she has never seen.

Before the film's release, its title was changed from Rapunzel to Tangled, reportedly to market the film as gender-neutral. Tangled spent six years in production at a cost that has been estimated at $260 million which, if accurate, would make it the most expensive animated film ever made and the second most expensive film of all time. Composer Alan Menken, who had worked on prior Disney animated features, returned to score Tangled.

Tangled premiered at the El Capitan Theatre on November 14, 2010, and went into general release on November 24. The film earned $591 million in worldwide box office revenue, $200 million of which was earned in the United States and Canada; it was well received by critics and audiences alike. Tangled was nominated for a number of awards, including Best Original Song at the 83rd Academy Awards. The film was released on Blu-ray and DVD on March 29, 2011; an animated short sequel, Tangled Ever After, was released in 2012.

The film is the second in the Disney Revival era. The success of the film lead inspired the Disney movies that followed in terms of asthetics and marketing, similarly to The Little Mermaid, which did the same thing with Disney Renaissance.

Plot
The movie begins with Flynn Rider narrating, explaining how hundreds of years ago, a single drop of sunlight fell to Earth and bloomed into a magical golden flower. The flower is found by an old woman named Mother Gothel, who sings the song "Healing Incantation" to it, causing it to restore her youth and beauty. In this way she lives for hundreds of years, keeping the flower hidden and never sharing it with anyone.

Flynn goes on to tell how the king and queen of the land sent out a flying lantern in honor of the child they were expecting, but the queen became very sick, and the king sent out his people to search for the legendary golden flower, which is rumoured to possess a powerful healing power. Gothel realizes what they are looking for, and hides the flower under a false shrubbery, as she is unwilling to share it with anyone. However, Gothel knocks the shrub away by accident when fleeing, causing the flower's glow to be visible in the darkness. The king's guards uproot the flower and bring it back to the palace, where it is fed to the queen, who survives and gives birth to a daughter, Rapunzel. The little princess has beautiful golden hair that glows with the magic of the flower.

That night, an already-aging Gothel sneaks into the palace and cuts a piece of Rapunzel's hair to use instead of the flower. When she cuts it, though, both the hair she cut and the lock she cut it from turn dark brown. Gothel realizes that cutting Rapunzel's hair causes it to lose its power, and so she kidnaps the princess, escaping out the window with her. Flynn's narration explains that she locked her away in a hidden tower and raised her as her own child, having Rapunzel sing the healing song to restore Gothel's youth. Every year afterwards, on the princess' birthday, the kingdom would release hundreds of flying lanterns as a symbol of hope that the lost princess would return to them.

Eighteen years later, we cut to an older Rapunzel, who still lives in the tower with her only friend, a chameleon named Pascal. Rapunzel is cheerful but clearly bored with her dull life, which she describes in the song, "When Will My Life Begin?" Her hair has grown to be seventy feet long and extremely strong, and she loops it through a system of pulleys and hooks to hoist herself up and get around the tower. One of the things she does to occupy her time is painting, and her entire tower room is covered in pictures that she's drawn. One of the pictures she paints is of herself looking up at hundreds of glowing lights, which are the lights she sees in the sky every year on her birthday. She tells Pascal that today is the day and she's finally going to do it.

Outside, Gothel has arrived at the base of the tower, and she calls up to Rapunzel to let down her hair. She has Rapunzel loop her hair to make a sling to pull her up in, and proceeds to emotionally abuse Rapunzel; putting her down and making fun of her and then laughing it off. Rapunzel believes Gothel is her real mother and loves her, but Gothel clearly only cares about her magical hair.

Rapunzel mentions that her birthday is the next day and that what she really wants is to go see the lights in the sky, because she believes that they're connected to her somehow. Gothel tells her they're just stars and gets angry at her for wanting to go out, and sings, "Mother Knows Best", a song about how the world is a horrible and dangerous place and she only wants to protect Rapunzel, who is too gullible and helpless to defend herself. She ends the song by telling her harshly to never ask to leave the tower again, and Rapunzel agrees, her earlier courage having faded. Gothel leaves.

Meanwhile, Flynn is sneaking across the palace roof with two other thieves, the twin Stabbington Brothers (Ron Perlman). They lower Flynn in through the roof and he steals the crown of the lost princess, although he is seen and they end up being chased out of the palace and through a forest. They find a tree covered in wanted posters of the three of them, and Flynn takes one and acts upset, but it turns out to have been only because his nose was drawn incorrectly. Still being chased, they reach a steep wall that appears to be a dead end, and Flynn tells the twins to give him a boost over the wall. They suspect he's just going to run off with the crown and leave them to be caught, but he convinces them to trust him -- and then does exactly that. Flynn then runs through the forest being chased by both the guards and the twins, as well as the leader of the guards' horse, Maximus. Maximus has an elevated sense of smell and can track Flynn by scent, and catches up to him even when he outruns the others. In the resulting struggle, the satchel with the princess' crown inside of it nearly falls over a cliff, catching at the last minute on a branch sticking out of the side of the cliff. In trying to retrieve it, Flynn and Maximus both fall off the cliff.

Neither are hurt, but Flynn still has to escape Maximus. He finds what appears to be a rock wall, but turn out to just be a very thick curtain of vines covering the mouth of a small cave. He uses the cave to hide while Maximus searches outside, and then escapes through the tunnel, ending up in a small clearing...with Rapunzel's tower standing in the center. Deciding that it looks like a perfect place to hide, he scales the side using arrows, and ends up right in Rapunzel's bedroom. He opens his satchel to look at the crown he just got away with...right as Rapunzel hits him in the back of the head with her frying pan, knocking him out.

Rapunzel has never seen anyone other than Gothel before, and at first she's convinced he's one of the monsters her mother said lived outside the tower. Once she realizes that he's just another person, she hides him inside of her wardrobe, with some difficulty. After she finally gets him stuffed inside, she finds his satchel with the lost princess' crown, although she has never seen a crown before and doesn't know what it is. She tries to wear it in a few different ways before setting it on her head, just as she hears Gothel calling to her from outside. She hides the crown and satchel, and brings Gothel up the tower.

She plans on showing Flynn to Gothel as proof that she's not helpless and should be allowed outside, but she starts out by mentioning their conversation from earlier and Gothel flips out and screams at her that she is never leaving the tower, ever. Rapunzel realizes there's no way Gothel will ever let her leave, so she tells her instead that she changed her mind about what she wants for her birthday, and asks for paint made from white shells. Gothel really doesn't want to give her that, because the shells are three days' travel away, but she thinks it will keep Rapunzel from asking to leave and so she agrees. Once Gothel has set out, Rapunzel takes Flynn (still unconscious) out of the wardrobe and uses her hair to tie him to a chair. Pascal wakes him up by sticking his tongue in his ear, and Flynn, not seeing Rapunzel at first, immediately freaks out. When she steps into view, however, he realizes that she's beautiful and starts hitting on her, much to her confusion. She assumes he's there to kidnap her and steal her hair, but he has no idea what she's talking about. When she realizes he's telling the truth (after whacking him with the frying pan a few more times), Rapunzel decide that this is her chance, and she forces Flynn to agree to her deal -- they'll leave the tower together, and he'll take her to see the floating lights the next night, then bring her back home the next day before Gothel returns. In exchange, she promises to give him back the crown and let him leave, and says that she never, ever, EVER breaks her promises. Flynn doesn't know why the lanterns are so important to her, but it's the only way to get the crown back, so he agrees.

Flynn gets down the tower wall the same way he got up, and calls for Rapunzel to come down. Rapunzel, taking her frying pan for protection, uses her hooks and pulleys to lower herself down on her hair, though she begins to have doubts once she's actually outside. She alternates between running around and screaming for joy, and wallowing in crushing despair and guilt for betraying her mother. Flynn is exasperated but tries to encourage her guilt, thinking that he can get her to give up and go back to the tower, and he can get away without having to take her to see the lanterns. He suddenly has an idea and says he'll take her to lunch, and drags her out of the clearing.

Elsewhere, Gothel hasn't gotten very far before she runs into Maximus, still searching for Flynn. She recognizes him as a horse from the palace, but without a rider. Suddenly suspicious, she runs back home and calls for Rapunzel, with no answer. She digs out the bricked-up door and runs up to discover that Rapunzel is gone. In a rage, she also discovers the crown Rapunzel had hidden, along with the wanted poster that Flynn had taken earlier. She assumes that Flynn has kidnapped Rapunzel, so she grabs a knife and sets out after them.

Meanwhile, Flynn has taken Rapunzel to a pub with a sign outside that says "The Snuggly Duckling". Rapunzel is excited -- she does like ducklings! -- but when they actually enter, she sees that the pub is full of angry tough-looking men. Flynn lies and tells her that this is considered a five-star establishment in the real world, trying to scare her into going back to her tower, but before they can leave Flynn is recognized from his wanted posters. One of the thugs is sent to fetch the guards while the rest of them leap on Flynn and fight over who should get the reward money. They look like they're going to tear him apart when Rapunzel hits the hook-handed one in the face and demands that they let him go because she needs him to fulfill her dream of seeing the lanterns. She implores them to find their humanity and asks if they've ever had a dream.

The Hook-Handed Thug (Brad Garrett) looks like he's going to kill her, but instead he admits that he too has a dream -- to be a concert pianist. This kicks off the song, "I've Got a Dream" admist the entire pub, where we find out that although the thugs are a cruel and bloodthirsty bunch, they also dream of true love, enjoy sewing and baking, and making tiny ceramic unicorns. One of them does miming in his spare time. Flynn is forced to join in and sings that his dream is to retire with tons of money on a sunny island somewhere with no one else around. Rapunzel gets excited and joins in too, singing about how happy she is that she left her tower and how she never wants to go back.

Unfortunately, she sings this line right as Mother Gothel looks in the window. Gothel is furious, but before she can do anything, the thug who went to get the guards returns. The guards are right behind him, with the Stabbington twins in chains. Now that they've bonded, Hook-Handed Thug decides to help them escape, and he opens a secret tunnel in the bar floor for Rapunzel and Flynn to flee through. Although they seem to escape without a problem, Maximus enters the pub and tracks Flynn's scent to the secret tunnel. The guards give chase, while outside, Gothel threatens one of the pub thugs with her knife to tell her where the tunnel lets out. The Stabbington twins also give chase, having escaped their chains.

The tunnel leads over a dam, where Rapunzel and Flynn appear to be cornered, until Rapunzel uses her hair to swing across to a ledge. She leaves Flynn her frying pan, and he uses it to fend off the guards and swordfight with Maximus, while declaring that this is the strangest thing he has ever done (and it is a pretty strange scene). Rapunzel lassoes him with her hair and pulls him off as Maximus kicks against a beam, breaking the dam and causing a huge flood of water to come crashing down on everyone.

Rapunzel and Flynn try to outrun the wave and hide in a small cave, which a falling rock blocks the entrance to. The water slowly fills up the cave as they realize it's a dead end and there's no escape. They try to pull at the rocks to no avail, and Flynn only manages to cut his hand. They both try to look for an escape under the rapidly-rising water, but there's no light in the cave and they can barely see each other above it. As they think they're about to die, Rapunzel cries and apologizes to Flynn for dragging him into this, and Flynn admits that his real name is Eugene Fitzherbert, because he thought someone should know before he died. Rapunzel tries to make him feel better by admitting that she has magic hair that glows, only to realize that they can use her hair to search for escape in the dark water. She sings the magic song just as their air pocket disappears, and they end up underwater, where Rapunzel's hair illuminates the cave.

Flynn/Eugene freaks out about her hair, but sees it drifting towards a small opening in the rocks, indicating an air current. They quickly dig their way through and are just about to run out of air when they break through to the outside, the landing in a river. They drag themselves up onto the bank, where Flynn proceeds to really flip out about Rapunzel's hair being magic.

Meanwhile, Gothel is waiting at the tunnel exit for them, but instead of Rapunzel and Eugene, she gets the Stabbington twins. She gives them the princess' crown but tells them that she could give them something worth one thousand crowns, and that they can take revenge on Eugene while they're at it.

Back with the other two, Eugene is still shocked about Rapunzel's hair, so she tells him that's not all it can do and, after making him promise not to freak out, wraps her hair around his injured hand and sings the healing song. Eugene tries very hard not to freak out but is still really weirded out when his injury disappears completely. Rapunzel explains to him that Gothel told her when she was young, people tried to cut off her hair and steal its magic. She shows him a short lock of brown hair by the nape of her neck -- the lock that Gothel cut when she was a baby -- and says that when her hair is cut, it loses all of its power. Gothel told her the reason she locked her away from the outside world was to protect her from the people who wanted to steal her hair.

Having given Eugene her background story, she wants to know his too, but Eugene says there's not much to tell -- he was an orphan who became a thief and changed his name to Flynn Rider after the hero in a book. He leaves to get firewood...and then Mother Gothel appears behind Rapunzel and tells her to come back to the tower. Rapunzel tells her she wants to stay with Eugene, because she likes him and thinks he likes her too. Gothel gets angry and tells her that she's invented the whole romance and that there's no way Eugene could possibly like her. She gives her the satchel with the crown in it and tells her that's the only thing he wants, and that the minute he gets a chance to take it he'll leave her behind. Rapunzel says she's going to give back to him right then to prove that he won't, and Gothel leaves just as Eugene returns with firewood. Rapunzel starts to give him the satchel, but begins to doubt herself at the last minute, and hides it from him.

The next morning, the two of them wake up to find a dripping-wet Maximus standing over them. Maximus attacks Eugene, but Rapunzel manages to calm him down and begs Maximus to leave him alone for just one day, so he can take her to see the floating lanterns. Maximus is charmed by her, and when she mentions that it's her birthday, he gives in, although he doesn't like it and continues to antagonize Eugene when she isn't looking. They all head out to the island city the palace is in, where Rapunzel gets her first taste of being in a crowd; she keeps bumping into people, and Eugene has to convince some little girls to do Rapunzel's hair up in a braid so she can move around without people stepping on it. Once that's over with, they go around the city, waiting for night to fall. Rapunzel has the time of her life, dancing around and drawing on the street in chalk. As a momento, Eugene buys her a little purple flag with the royal crest on it. As dark begins to fall, they leave Maximus with some apples and Eugene takes her out on the water in a boat so she can get the "best view" of the lanterns.

The king and queen, still heartbroken over their lost daughter after all these years, set out the first lantern, and then everyone in the city does the same. The lanterns float out over the water, and Rapunzel and Eugene are soon surrounded by hundreds and hundreds of beautiful glowing lights. They set off two of their own while singing, "I See the Light", a song about how they're beginning to realize their feelings for each other. Rapunzel finally gives Eugene the satchel with the crown, and he reassures her that he won't leave her. He's leaning in to kiss her when he catches sight of the shore behind her, and sees the Stabbington twins, who turn and walk off. He doesn't tell Rapunzel what's going on, but he brings the boat up to shore, tells her he'll just be a minute, and goes off with the crown.

He finds the twins, gives them the crown, and apologizes (albeit in a snarky way) for backstabbing them earlier. Instead of accepting the crown, the twins say they'd rather have the girl -- Gothel has told them all about Rapunzel's magical hair. Back on shore, Rapunzel is getting worried at how long Eugene is taking, when she sees a silhouette coming out of the fog. She assumes it's him and jokingly says she was afraid he was going to take the crown and run -- then the twins emerge from the fog and tell her he did exactly that. They point out a boat heading towards the city with Eugene at the wheel. Rapunzel runs from them, but her braid catches on a branch and she's unable to escape. When they don't come after her, she finds that Mother Gothel has appeared and hit them with a heavy branch, knocking them out from behind. She's obviously double-crossed them so she can look like she's saving Rapunzel, but Rapunzel doesn't know that. Heartbroken from Eugene's supposed betrayal, she lets Gothel take her home. Meanwhile, the boat with Eugene in it reaches the city dock. Eugene is tied to the wheel with the crown in his hand, so that he would be unable to escape while his silhouette would appear to Rapunzel that he was steering the boat. He is arrested and thrown into prison, facing a sentence of death.

Back at the tower, Rapunzel is laying on her bed, miserable, while Gothel is just happy that things will now go back to the way they were. While she makes dinner, Rapunzel pulls out the little flag Eugene had bought her, and looks at the sun-shaped royal crest. Suddenly she realizes that the same shape is all over her tower walls -- all of her paintings incorporate it somewhere. She has a hazy memory of the shape on a mobile over her crib, of her parents' faces, and of the familiar feeling she'd had when she wore the princess' crown. She realizes that she is the lost princess, and that Gothel has lied to her this whole time. She storms out of her room and she and Gothel fight, but this time Rapunzel refuses to back down. Furious, Gothel tells her that if she wants her to be the bad guy, then she can be the bad guy.

Back in the city, Eugene is taken out of his cell to be hanged for his crimes. As they take him down the hallway, he happens to see the Stabbington twins in a cell -- they were caught after being double-crossed by Gothel. He knocks away the guards and demands that the twins tell him what happened to Rapunzel, and they tell him the old woman (an aged Gothel) took her. Realizing that she's in danger, Eugene tries to escape, but more guards come in and subdue him. They drag him out towards the gallows, but along the way, he catches sight of a tiny ceramic unicorn in a little alcove on a wall. Suddenly the doors slam shut behind and in front of them, and the thugs from the Snuggly Duckling appear to help Eugene, fighting away the guards. They get him out to the courtyard, and using a wagon to catapult him over the jail wall, where he lands on Maximus' back. It turns out Maximus was the one who went to get them, and he will help Eugene find Rapunzel instead of arresting him. They leap off of the palace roof and set off for the tower.

When they reach the tower, Eugene stands at the base and calls up for Rapunzel. Just as he starts to climb up himself, Rapunzel's hair comes tumbling down, and he uses it to climb up. When he reaches the top, though, he finds Rapunzel chained and gagged, and Gothel appears behind him and stabs him in the back with her knife. During the struggle, Rapunzel's mirror falls over and shatters into pieces. Gothel kicks open a secret passage and begins to drag Rapunzel out of it, telling her that she's going to take her somewhere where no one will ever find them ever again. Rapunzel gets the gag off and says to Gothel that she will fight her every minute for the rest of her life -- but if she lets her use her hair to heal Eugene, then she will go with Gothel quietly, and do whatever she says, and never try to escape. A bleeding-out Eugene protests, but Rapunzel doesn't back down.

Gothel finally agrees and chains Eugene up, too, in case he tries to fight again after being healed. Although he's still protesting and telling her not to throw her life away like this, Rapunzel starts to wrap her hair around his wound in preperation to heal him. He leans in like he's going to give her a last kiss, but just before he does, he cuts off her hair off with a shard of the broken mirror. Her hair instantly "dies" and turns brown, and Gothel screams and tries to gather up the rest of the hair, but it's all lost its power. She begins to age rapidly, and pulls her hood down over her face so no one will see her without her youthful beauty. She can't see where she's going, though, and stumbles blindly around the room; Pascal uses Rapunzel's cut-off hair to trip her and send her tumbling out the window, where she dissolves into dust on the way down.

Meanwhile, Rapunzel is trying to heal Eugene anyway, although with her hair cut the magic won't work. He stops her and tells her that she was his new dream, and she tells him that he was hers. As Eugene dies, Rapunzel sings a longer version of the healing song, "The Tear Heals". As she sings, she weeps onto Eugene's face; her tear is absorbed into his skin, and begins to glow. Light shoots out from where she cried onto him, and he wakes up again, healed. He tells her he's "got a thing for brunettes", and they finally kiss each other.

At the palace, a guard runs into the room where the king and queen are to tell them that the lost princess has finally been found. They run out to the balcony, where a short-haired Rapunzel and Eugene are waiting. Rapunzel and her parents share a tearful hug, and as Eugene watches, they drag him into it, too.

Eugene narrates the ending, explaining how Rapunzel ruled the kingdom as wisely and benevolently as her parents had, and after years and years of asking, he finally agreed to marry her. Rapunzel's voice cuts in and corrects him, and Eugene admits that it was he who actually asked her. The movie ends on a shot of floating lanterns surrounding the palace, and everyone living happily ever after.

Voice Cast

 * Main Cast:
 * Rapunzel - Mandy Moore
 * Flynn Rider - Zachary Levi
 * Mother Gothel - Donna Murphy
 * Hookhand - Brad Garrett
 * The Stabbington Brothers - Ron Perlman and John DiMaggio
 * Big Nose Thug - Jeffrey Tambor
 * Shorty - Paul F. Tompkins
 * Vladamir - Richard Kiel
 * Captain of the Guard - M. C. Gainey
 * Young Rapunzel - Delaney Rose Stein

Allusions

 * Pinocchio (From his feature) and a statue of The Lion King's character Pumbaa can be seen during the song I've Got a Dream.
 * When Rapunzel and Flynn are in the library in the kingdom, a book with the cover for The Little Mermaid can be seen on a stack of books on a chair.
 * Books with the cover for The Lion King and Beauty and the Beast can be seen as well.

Technical details
The movie's visual style is based on the painting "The Swing," by the French Rococo artist Jean-Honoré Fragonard. Because Glen Keane wanted this to be an animated movie that looked and felt like a traditional hand-drawn Disney Classic in 3D, he first had a seminar called "The Best of Both Worlds," where he, with fifty Disney animators (both CGI and traditional artists), focused on the pluses and minuses of each style. Because of advancements in computer technology, many basic principles of animation used in traditional animated movies but which have been absent in CGI films due to technical limitations became possible also in this field of animation, where they will be used together with the potential offered by CGI. Keane has stated numerous times that he is trying to make the computer "bend its knee to the artist" instead of having the computer dictate the artistic style and look of the film. By making the computer become as "pliable as the pencil," Keane's vision of a "three dimensional drawing" seems within reach, with the artist controlling the technology. Because many of the techniques and tools that were required to give the film the quality Keane demanded of it didn't exist when the project was started, WDFA had to make them on their own.

To create the impression of a drawing, Non-photorealistic rendering was used, making the surface look like it is painted but still containing depth and dimensions.

Glen Keane's daughter, visual development artist Claire Keane sought to capture Rapunzel's world view: "Rapunzel's walls are really a reflection of what she could see from her window as well as what she was thinking about. There was a definite plan with specific choices made in choosing the colors of Rapunzel's walls. It was important to create how Rapunzel would create, not how I would create, so I had to try a variety of different things that would express her world."

CGI-Animation
The film was made though Rapunzel resembles traditional oil paintings on canvas: "There’s no photoreal hair. I want luscious hair, and we are inventing new ways of doing that. I want to bring the warmth and intuitive feel of hand-drawn to CGI.  "For inspiration, Keane and his animators are referencing a painting by French Rococo artist Jean-Honore Fragonard, The Swing, applying a certain richness that they have never attained in animation before."   "A fairy tale world has to feel romantic and lush. So we were able to duplicate the shot with the girl on the swing in 3D, to do a dimensional tree where the leaves turn, but it still feels like it has calories if you look at it too long. Very painterly. "The next step was to do an animated human character: to get a softness, a feel of blood in the veins. I want skin moving across bone and tendon and there’s a subtlety to this. The thing is, I don’t want realism.  "Kyle Strawitz really helped me start to believe that the things I wanted to see were possible… that you could move in a Disney painterly world. He took the house from Snow White and built it and painted it so that it looked like a flat painting that suddenly started to move, and it had dimension and kept all of the soft, round curves of the brushstrokes of watercolor. Kyle helped us get that Fragonard look of that girl on the swing… We are using subsurface scattering and global illumination and all of the latest techniques to pull off convincing human characters and rich environments."  One of the main ambitions of the makers of Rapunzel is to create movements that are just as soft and fluid as of that in the old Disney Classics.

Music
Original music was composed for the movie by Alan Menken with original songs (Music by Menken and lyrics by Glenn Slater. )  Menken said he attempted to blend medieval music with 1960s folk rock to create the new songs.

The Complete Song List:
 * "Prologue" by Donna Murphy as "Mother Gothel" and Delaney Stein as "Young Rapunzel"
 * "When Will My Life Begin?" by Mandy Moore as "Rapunzel"
 * "When Will My Life Begin? (Reprise 1) " Performed by Mandy Moore as "Rapunzel"
 * "Mother Knows Best" by Donna Murphy as "Mother Gothel"
 * "When Will My Life Begin? (Reprise 2) " by Mandy Moore as "Rapunzel"
 * "I've Got a Dream" by Brad Garrett as "Hook-Hand Thug," Jeffrey Tambor as "Big Nose Thug," Mandy Moore as "Rapunzel," Zachary Levi as "Flynn Rider" and Ensemble
 * "Mother Knows Best (Reprise)" by Donna Murphy as "Mother Gothel"
 * "I See the Light" by Mandy Moore as "Rapunzel" and Zachary Levi as "Flynn Rider"
 * "Healing Incantation" by Mandy Moore as "Rapunzel"
 * "The Tear Heals" by Mandy Moore as "Rapunzel"
 * "Something That I Want" by Grace Potter (Ending Credits)

Schedule

 * On April 12, 2007 it was revealed Annie-nominated animator and story artist Dean Wellins will be co-directing the film alongside Glen Keane.
 * On October 9, 2008, it was reported Glen Keane and Dean Wellins would be stepping down as directors and would be replaced by a new team of Byron Howard and Nathan Greno, director and storyboard director of 2008's Bolt. Keane would stay on as the Executive Producer and Wellins has moved onto developing other short films and feature films.

Title change
Disney's previous animated feature The Princess and the Frog in 2009, while being highly critically acclaimed and taking in nearly $270 million worldwide, was not as successful as Disney had hoped. Disney expressed the belief that the film's emphasis on princesses may have deterred young boys from seeing the film. In order to market the film to both boys and girls, Disney changed the film's name from Rapunzel to Tangled, while also emphasizing Flynn Rider, the film's prominent male character. Disney was criticized for altering the classic title and story as a marketing strategy. Floyd Norman, a former Disney and Pixar animator, said, "The idea of changing the title of a classic like 'Rapunzel' to 'Tangled' is beyond stupid. I'm convinced they'll gain nothing from this except the public seeing Disney as desperately trying to find an audience."

In the Disney Parks
Flynn and Rapunzel became walkaround characters around the time the film was released. Additionally, Rapunzel's tower has been brought into various parks. A redecorated tower in Disneyland's Fantasyland served as the entrance for a Tangled meet and greet that ran until the opening of Fantasy Faire in March 2012, which features a Tangled stage show that also doubles as a meet and greet space. At the Magic Kingdom, a restroom complex replacing the Fantasyland Skyway station included the tower and facades based on the Snuggly Duckling and a building in Corona. Miniature versions of the tower have been featured at Epcot as an addition to the Germany Pavilion's miniature railroad as a temporary Flower and Garden Festival fixture and as a permanent addition at Disneyland Paris's Storybook Land Canal Boats replacing a generic Rapunzel tower that was part of the attraction when it opened.

Stage Version
At the 2013 D23 expo, Alan Menken confirmed that he is working on a stage version of Tangled for Disney Cruise Line.

Critical response
Tangled received critical acclaim. Rotten Tomatoes reports that 90% of critics have given Tangled a positive review based on 180 reviews, with an average score of 7.5/10. Among Rotten Tomatoes Top Critics, which consists of popular and notable critics from the top newspapers, websites, television and radio programs, the film holds an overall approval rating of 90%, based on a sample of 31 reviews.The site's consensus is: "While far from Disney's greatest film, Tangled is a visually stunning, thoroughly entertaining addition to the studio's classic animated canon." Another review aggregator Metacritic, which assigns a weighted average score from 0–100 out of reviews from mainstream film critics, calculated a score of 71 based on 33 reviews. CinemaScore polls conducted during the opening weekend revealed the average grade cinemagoers gave Tangled was A+ on an A+ to F scale. On IMDB, the film has a 7.8/10 rating with 81,561 ratings.

Time, in its website, included Tangled as one of the 25 All-time Best Animated films. Gael Cooper of NBC News expressed that Tangled may be the best Disney Movie of all time.

A. O. Scott of The New York Times positively reviewed the film as "the 50th animated feature from Disney, and its look and spirit convey a modified, updated but nonetheless sincere and unmistakable quality of old-fashioned Disneyness." Time film critic Richard Corliss noted that the film "wades into the DreamWorks style of sitcom gags and anachronistic sass" while praising the film for achieving "the complex mix of romance, comedy, adventure and heart that defines the best Disney features." Kenneth Turan from The Los Angeles Times awarded the film four stars out of five; he described the film as a "gorgeous computer-animated look that features rich landscapes and characters that look fuller and more lifelike than they have in the past."

James Berardinelli commented on his review website ReelViews that the film is "entertaining and enjoyable, but not groundbreaking." Berardinelli also stated Rapunzel is "not as memorable as Snow White, Princess Ariel, or Belle" as well as stating "the songs are neither catchy nor memorable." Todd McCarthy, film reviewer for The Hollywood Reporter opened his review with, "It would have been nice if Disney's self-touted 50th animated feature were one of its best, a film that could stand with the studio's classics, but the world will have to make do with Tangled, a passably entertaining hodgepodge of old and new animation techniques, mixed sensibilities and hedged commercial calculations." Most reviews have praised the animation, notably the sky lantern sequence ("I See The Light") in the film, some comparing it to the ballroom scene in Beauty and the Beast.

Box-office performance
Tangled earned $200,821,936 in the USA and Canada and an estimated $389,900,000 in other countries for a worldwide total of $590,721,936. Worldwide, it is the 15th highest-grossing animated feature ever released, the eighth highest-grossing film of 2010 and the third largest animated title on that list behind Toy Story 3 ($1.063 billion) and Shrek Forever After ($752.6 million). It is also the third Disney film appearing in 2010's Top Ten. It is the third highest-grossing film worldwide produced by Walt Disney Animation Studios, trailing only The Lion King and Frozen.

It premiered in Paris on November 17, exclusively screening at the Grand Rex theatre two weeks in advance of its French wide release. With over 3,800 tickets sold on its opening day, it set a new record for films showing in a single theatre. It had a worldwide opening weekend of $86,079,983. Due to a gradual worldwide roll-out and many other blockbuster movies playing at the same time, it reached the summit of the worldwide box office only once, on its 11th weekend (Feb 4-6, 2011), with $24,884,871 from 49 territories.

Tangled earned $11.9 million on its opening Wednesday, breaking the record for the largest pre-Thanksgiving Wednesday opening, a record previously held by Disney·Pixar's Toy Story 2. In its first weekend of release, it earned $48.8 million (the highest opening for Walt Disney Animation Studios, surpassing The Lion King ($40.9 million), and later surpassed by both Wreck-It Ralph ($49 million) and Frozen ($67.4 million)), placing second for the period behind Harry Potter and the Deathly Hallows – Part 1, which earned $49.1 million. Tangled had the sixth highest opening weekend for a film that did not debut at #1. Over the traditional Wednesday-Sunday Thanksgiving holiday period, it tallied $68.7 million, again finishing in second place. Tangled also marked the second largest 3-day and 5-day Thanksgiving opening after Toy Story 2. During its second weekend (post-Thanksgiving), Tangled declined 56% to $21.6 million, although it jumped to first place at the box office. With a final gross of $200.8 million, it is the tenth highest-grossing film of 2010, and the tenth 2010 film to pass the $200 million mark; it was the fourth slowest film to pass this mark. Unadjusted for inflation, it is the fifth highest-grossing film produced by Walt Disney Animation Studios, behind The Lion King ($422.8 million), Frozen ($297.8 million), Beauty and the Beast ($219 million), and Aladdin ($217.4 million).

Outside North America
On its opening weekend, it earned $17.4 million in 8 territories and ranked second for the weekend behind Harry Potter and the Deathly Hallows – Part 1 ($117.3 million). It reached first place at the weekend box office outside North America three times in 2011. It marked the seventh highest-grossing 2010 film and the third highest-grossing 2010 animated film. In Russia and the CIS, it set an opening-weekend record among non-sequel animated films (first surpassed by Rio) and among Walt Disney Animation Studios films (surpassed by Frozen). Its highest-grossing markets outside North America was Germany ($44.2 million), where it is the highest-grossing 2010 animated film, followed by France and the Maghreb region ($39.4 million) and the UK, Ireland and Malta ($32.9 million).

Merchandising
Like other Disney animated features, Tangled is supported in retail stores by a line of toys and other merchandise. Many of the Rapunzel dolls emphasize her hair, while some also include sound clips from the film. Toys based on other characters, including Flynn Rider, Mother Gothel, Pascal and Maximus, have also been released. Rapunzel became an official Disney Princess on October 2, 2011.

Video games
A video game based on the film was released on November 23, 2010 for two Nintendo consoles, Nintendo DS and Wii, as well as for the PC platform by Disney Interactive Studios.

Home media
Tangled was released by Walt Disney Studios Home Entertainment as a four-disc combo pack on March 29, 2011. The combo pack includes a Blu-ray 3D, standard Blu-ray, DVD, and digital copy. A two-disc Blu-ray/DVD combo pack and single DVD are also available. Bonus features for the Blu-ray include deleted scenes, two alternate opening sequences, two extended songs, and an inside look at how the film was made. The DVD includes only the two Original Storybook Openings and the 50th Animated Feature Countdown.

Sales of Tangled in the US and Canada exceeded $95 million in DVD and Blu-ray sales, the highest grossing DVD of the year to date; its home video sales exceeded the film's earnings in its first week in theaters. The film sold a record 2,970,052 units (the equivalent of $44,521,079) in its first week in North America, the largest opening for a 2011 DVD. It dominated for two weeks on the DVD sales chart and sold 6,657,331 units ($102,154,692) as of July 18, 2012. It has also sold 2,518,522 Blu-ray units ($59,220,275) by May 29, 2011.

Trivia

 * Flynn is 26 years old and Rapunzel is 18 years old.
 * So they have 8 years of age gap.
 * During the song "I See the Light", over 45,000 lanterns were used to light up the night sky.
 * The lantern that has the Corona sign that Rapunzel lift during "I See The Light" is the lantern that the King and Queen of Corona lift.
 * Despite the fact, that the film is the 50th Animated Motion Picture from Disney, this is Walt Disney Animation Studios' fourth film and the third feature in CGI-Animation.
 * This was the last Walt Disney Animation Studios film to be scored by a currently non-recurring composer (and, for so far, the last film from that studio to be composed by Alan Menken) until 2013's Frozen, which was scored by Canadian composer Christophe Beck, as British composer Henry Jackman became a recurring composer of films from that studio (after Frank Churchill, Leigh Harline, Paul J. Smith, Oliver Wallace, George Bruns, Alan Menken, Mark Mancina, and John Debney) starting with 2011's Winnie the Pooh.

Goofs

 * When Flynn is dying, he is on his back with his right hand palm up on the floor. Later when we see both lovers from far above (when the magic is working) his right hand is palm down. If Flynn is dead, he wouldn't be able to change the position of his hand.
 * When Rapunzel and Pascal were playing hide-and-seek, the flower pot outside the window is shown with a painting of a flower.
 * In the later parts of the film, no painting is seen there.
 * In the final tower scene, when Flynn reaches for Rapunzel's hair, his right hand is unshackled.
 * A second later, it's shackled again.
 * The painting on the floor of the tower, showing a man with pointed teeth, disappears and re-appears.
 * When Mother Gothel takes the flowers out of Rapunzel's hair, it's straight, when it should be curled from the braids.
 * The strand of hair that falls across Rapunzel's face as she is pleading for Flynn's life disappears.
 * When Flynn tells Rapunzel that he and the kingdom are not "sympatico" he is lying on his left side. In the next scene, when Rapunzel uses her hair to pull him back upright, he is lying on his back.
 * During the first verse of the song "I Have A Dream" (in the "Snugly Duckling"), the hook-hand thug hooks the keys out of the piano and they are sent flying across the room.
 * In the next shot, he is continues to play the piano as if the keys were still there (which of course they can't be).