- “In the palace, right here, lived a wicked wazir; the advisor to Sultan Hamed. And this part-time magician, this amateur seer, wished his boss, the good sultan, dead. He was charming and slick, but unspeakably sick, this despicable parasite. What a villain, boo hiss! Further proof, dears, that this is another Arabian night...”
- ―Lyrics describing Jafar from a demo of "Arabian Nights"[1]
Jafar is the main antagonist of Disney's 1992 animated feature film Aladdin. As the Royal Vizier of Agrabah, he was presented as the Sultan's most trusted and loyal advisor. In truth, the imperious Jafar held passionate disdain for the Sultan. He dedicated the latter half of his life to gaining ownership of a magic lamp containing an all-powerful genie — to that end, Jafar would control cosmic power, which he would use to take over the throne and the world at large.
Jafar is loosely based on the wicked sorcerer and vizier from the Aladdin folk tale in the One Thousand and One Nights collection of stories. With an elegant, yet cheeky approach to villainy, coupled with a dry sense of humor and menace, Jafar is among Disney's most renowned villains, and would later feature as a primary member of the Disney Villains franchise.
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Background[]
As established in the film, Jafar is the second most powerful authority in Agrabah, answering only to the Sultan. He is always accompanied by his sarcastic, devious pet parrot, Iago. Jafar primarily operated from a secret lair hidden behind the walls of his bedroom in the Sultan's palace.
Whilst presenting a charming and respectable exterior to the Sultan and the people of Agrabah, he secretly holds everyone around him in contempt and is a power-hungry individual. Towards Agrabah's royal family, he constantly manipulates the Sultan by means of hypnotizing him with a magical snake-headed staff, which he always carries on his person. He has traveled widely and amassed a wide knowledge of magical artifacts and legends. Until he uses Genie's powers to become a sorcerer, and later a genie, however, his magical abilities were limited to the use of such artifacts as he has collected, and his prowess as an accomplished alchemist. He also had some contacts within the Agrabah underworld, including the thief Gazeem.
Little is known about Jafar's past. At some point, he purchased Iago from a bazaar as his pet and minion, as Jafar noted in The Return of Jafar. As far as Jafar's family goes, he has a twin sister named Nasira, who tried bringing her brother back to life in the game Nasira's Revenge. She respects Jafar and the sibling bond between them is quite strong.
Development[]
- “In the palace, right here, lived a wicked wazir; the advisor to Sultan Hamed. And this part-time magician, this amateur seer, wished his boss, the good sultan, dead. He was charming and slick, but unspeakably sick, this despicable parasite. What a villain, boo hiss! Further proof, dears, that this is another Arabian night...”
- ―Lyrics describing Jafar from a demo of "Arabian Nights"[2]
In Howard Ashman's original treatment for the Aladdin story, the villain of the tale was referred to as The Wazir, an evil sorcerer of sorts with a smart-mouthed parrot named Sinbad for a sidekick. The character takes inspiration from three different characters in the Aladdin folk tale, including the sorcerer from Maghreb, the sorcerer's evil brother, and the Sultan's vizier who wishes to have his son marry Princess Badroulbadour. The original draft also included several reprises of "Arabian Nights", one of which introduced the Wazir, as well as his plot to kill the Sultan and take over the kingdom. Ashman's version of Aladdin was poorly received, which called for an overhaul of the story. Linda Woolverton, who penned the screenplay for Beauty and the Beast, was influenced by Alexander Korda’s The Thief of Baghdad when writing her treatment for Aladdin. Woolverton's treatment included a villain named Jaf’far, after the antagonist of Baghdad. However, Ashman's parrot character, Sinbad, was dropped. When John Musker and Ron Clements were brought on to helm Aladdin, several elements from Woolverton's treatment were kept intact, including Jaf'far—now named "Jafar". They also revived the villainous parrot sidekick, now named "Iago".[3]
Initially, the Jafar character was portrayed as loud, easily-agitated, and prone to temper tantrums, while Iago was more calm and collected. The filmmakers eventually agreed that a calmer Jafar would be more sinister and threatening, so the personalities of Jafar and Iago were swapped so that the former was more subdued, and the latter was loud and overly-aggressive.[4] Writers Terry Rossio and Ted Elliott rationalized the stark difference between Jafar and Iago, explaining that Jafar implemented all his emotions into his parrot, leaving him free of distractions and thus more able to conjure magic.[5]
Jafar's supervising animator was Andreas Deja, who was greatly influenced by Marc Davis's Maleficent from Sleeping Beauty. The two villains bear numerous similarities—collected personalities, regal attire including dark robes and staffs, bird sidekicks, and animal transformations. While developing Jafar, Deja studied Marc Davis's animation of Maleficent as a means of figuring out how to portray Jafar onscreen.[4] The film's color scheme dictated that blue represents "good", while red represents "evil". As such, Jafar was robed entirely in black and red. When he takes over the kingdom during the climax, Agrabah is consumed in various shades of red to further illustrate Jafar's control of the narrative.
Voice[]
Sir Patrick Stewart was originally offered the role of Jafar's voice but had to decline due to scheduling difficulties, noted by himself as something he now regrets. Jonathan Freeman, an accomplished theater actor, is a self-proclaimed fan of Disney Villains such as Maleficent from Sleeping Beauty, Captain Hook from Peter Pan, and Pinocchio's Stromboli.[6] A longtime admirer of Disney animation, Freeman's agent submitted an audition tape in the summer of 1990. Freeman officially booked the role of Jafar during the holiday season of that same year, and recording began in January of 1991.[7] Originally, Freeman was not only the voice of Jafar, but Iago, as well. This was changed when Gilbert Gottfried was brought onto the project, with whom Freeman worked extensively due to the amount of screentime their respective characters share.[8]
Personality[]
Described by Genie as "Señor Psychopath", Jafar is an immoral individual who will not hesitate to destroy anyone he perceives as a threat to his own sinister designs. Like numerous clinically-diagnosed psychopaths, Jafar wears a metaphorical mask of normalcy throughout the film, establishing himself as a cool-headed schemer and gaining the trust of those around him, despite his rather untrustworthy physical appearance. Even with this mask, Jafar's psychopathic tendencies tend to seep through and become apparent to the viewer, particularly in the opening sequence, where Jafar, outside immediate initial anger over Gazeem the thief not being the one who is the Diamond in the Rough, displays no remorse in sending Gazeem to his death in the Cave of Wonders, simply proclaiming that, "Gazeem was obviously less than worthy" in a rather dry tone of voice. It is not until Jafar gains control of the Genie's lamp that he fully shows his true colors, becoming arrogant, tyrannical, and ill-tempered with his subjects. He also was depicted as laughing excessively and in a deranged manner shortly after banishing Aladdin to the North Pole, suggesting that Jafar was also insane and suffered from hysteria.
Jafar displays narcissistic tendencies, his most obvious ones being his obsessive desire for power and sense of entitlement. However, his lust for power does not stem from a mere desire for authority (though this is a motivating factor), but rather an intolerance for subordination. Jafar detests being "second best" to anyone else—be it the Sultan or a cosmic entity such as the Genie. It is this excessive thirst for power that ultimately leads to Jafar's downfall; upon becoming a sorcerer (and, by extension, the most powerful man in the world), Jafar realizes that his power is still inferior to the Genie's, which drives him to hastily wish to become a genie, himself, without realizing this would render him a slave for all eternity.
Jafar has a somewhat comical edge that helps to add some humanity to his character, for example proclaiming "Ewww..." when contemplating decapitation, a trait unusual in a Disney villain. Furthermore, Jafar has a sadistic sense of humor himself, spurting several puns in a row while keeping Aladdin and his friends from getting the lamp during the film's climax ("Your time is up!", "Don't toy with me!", "Things are unraveling fast now, boy!", "Get the point?", "I'm just getting warmed up!"). Further humanity can be found in his relationship with Iago; although Jafar is the driving force behind each plot, and in turn reaps most of the credit and reward, he and Iago share a camaraderie uncommon in most Disney villain/henchmen dynamics. As they are both cunning, sadistic, power-hungry, and have a mutual hatred for the Sultan, they get along quite well. Jafar, at one point, exclaims that he, "loves the way your [Iago's] foul little mind works!", and further shows his appreciation for Iago by gifting the parrot with his own turban following Jafar's wish to become Sultan. Because they are both haughty, however, the two are somewhat prone to bickering.
Jafar is quick to abuse his underlings as a means of releasing his own anger. Ultimately, this proves to be his final downfall, as Iago ends up turning against Jafar in large part because of his abuse and not giving him credit when it was due, and to a lesser extent, Abis Mal ends up delaying his wish and buying enough time for Abu to grab the lamp before the final battle to ask Jafar whether the latter will remove the treasures he had summoned to bribe Abis Mal for the third wish largely due to Jafar's earlier actions of abusing his wish-granting abilities to essentially torture Abis Mal. Jafar's mercilessness more heavily carries over to other characters in the film, especially during the climax; following his hostile rise to power, Jafar immediately used his newfound abilities to ruthlessly torment Jasmine, the Sultan, Aladdin, and the Genie via physical abuse, humiliation, slavery, and other forms of torture, of which he openly showed amusement. The deleted song "Humiliate the Boy" also establishes Jafar as an emotional sadist, getting a laugh out of seeing "another fellow's dreams turn into nightmares one by one" and treating the Genie in an especially harsh manner. Additionally, in The Return of Jafar, Jafar was proven to not mind his inability to kill as a genie because, "there are things so much worse than death", implying that he would simply torture people to the point that his victims wished they were dead.
Jafar is also attracted to Princess Jasmine, but primarily for her physical appearance, and not for Jasmine herself as a person. His final wish was initially for Jasmine to fall desperately in love with him so he could make her his queen (he and Iago originally planned on killing her as soon as he became Sultan, but at some time later he refused to kill her, instead of sparing her life); he first creates a golden crown for her from her shackles to do so with a wave of his hand, saying that a girl as beautiful as her "should be on the arm of the most powerful man in the world". (Much earlier, though, he says in what we would consider being a sexist manner that Jasmine's speechlessness is "a fine quality in a wife").
Deleted scenes for the original film (such as "Why Me?") implied that most of his negative traits and motives stemmed from having to grow up impoverished and bullied on by the populace of Agrabah, making him almost similar to Aladdin, although their similarities differed in how they handled their suffering.
Physical appearance[]
Jafar is a tall, bony, middle-aged man dressed in extravagant clothing, always seen carrying a gold, ruby-eyed, cobra headed staff to supplement his magical powers. Jafar has a twisted, black goatee and a faint mustache, as well as gray eyeliner. He was supposed to be designed as ugly, and Genie makes this obvious when he refers to him as "a tall, dark, sinister, ugly man." He is apparently completely bald, as evidenced by when he removes his beggar disguise, he's also seen not wearing his distinctive headdress in other media including the crossover episode Hercules and the Arabian Night from Hercules, and Sorcerers of the Magic Kingdom. Jafar also carries a cobra-head staff, which he uses for his sorcery.
As Royal Vizier, Jafar wears black robes that reach the ground over top a red garment with bell sleeves, under which he wears a jet-black shirt with very close-fitting sleeves that reach his wrists, all held in place with a red-violet sash tied around his waist. The shoulders of his outer robe are pointed and curved upward, connected to a long, billowing black cape with a blood-red underside, is very similar to Count Dracula's, while his brown shoes curl inward at the tips. He also wears an odd, pale-yellowish garment that covers his neck, the back of his head, and his chest.
The outfit is topped off with a tall, black headdress, seemingly a type of mitre, with a thin, yellow pattern lined around the middle and downwards at the front, a ruby-like gemstone situated in the front, and a crimson-red feather sticking out above it. The headdress itself is apparently (yet strangely) made out of metal, as evidenced by the hollow clonking sound it made when Iago briefly knocked on it while trying to get Jafar to calm down from a laughing fit as he thought he went insane (not realizing he was actually laughing because he realized that not only did the lamp actually survive, it's actually in close proximity since Prince Ali, or rather, Aladdin, owns it). A red-violet cloth hangs from the miter, draping over Jafar's shoulders. As Sultan, Jafar wears a white, blue, and gold version of this outfit resembling the actual sultan's.
When he's turned into a sorcerer, Jafar's wardrobe goes to a more exaggerated, sinister form of his normal attire; The head-dress sports distinct, horn-like protrusions, the red feather is gone, and only the ruby on the front remains. The shoulders of his outer robe are even pointer and maintain a higher position than before, no longer curved. The sash on his waist is also different, bearing a pattern of magenta and copper stripes and a gold border. Here, he regains his iconic snake staff, but it now has an open fanged-mouth that fires beams magic on command.
In his showdown with Aladdin, Jafar transforms into an enormous cobra, greatly bearing the color palette of his main wardrobe. The cobra is mainly black, representing his main robes, with the hood having a crimson underside with a red dot on each side, making the hood resemble his cape and mitre combined. He has a tan underbelly, resembling the garment covering his neck and most of his head, and he has red stripes running down his back to his unseen tail-tip. The cobra also has menacing red eyes and sharp (possibly venomous) teeth.
Once Jafar makes his third lamp wish to be an all-powerful genie, he takes on a form resembling Genie himself, but with a more sinister appearance and a muscular physique. Jafar's skin becomes blood-red, his ears become pointed, his right ear gains a gold piercing (which changes from dangling to a loop in the second film), his hair becomes tied in a topknot, and his eyes become completely yellow (although there are instances where Jafar gains pupils, such as in "You're Only Second Rate"). He has five-fingered hands (albeit with black claws, compared to Genie, who has four-fingers), and when his full genie body is shown, his entire physique is revealed to be muscular with legs looking somewhat demonic with feet bearing the same black claws and the red-violet sash on his waist that is shown in his genie smoke form is revealed to be the top of a loincloth (in comparison to Genie's trousers and turned up shoes) which is the only article of clothing that he wears in this form. When he's in his normal human form, Jafar wears a slightly recolored version of his sorcerer outfit, with the red and black colors switched, and also retains his snake staff. When he guest appeared in the crossover episode of Hercules, the colors from his sorcerer outfit are switched back to the original.
Powers and abilities[]
- Alchemy: At the start of Aladdin, despite having extensive knowledge of arcane lore, Jafar did not seem to possess any genuine magical powers and thus could have been no more than an alchemist. The closest he had ever come to using actual magic prior to becoming a sorcerer was with his Snake staff's hypnotic properties. In the demo for "Arabian Nights", however, he was mentioned to be a part-time magician as well as a seer, although he was specified to be an amateur in the latter job.
- Master of Disguise: Jafar was surprisingly effective at disguising himself when he was a regular human, as evidenced by his posing as an old prisoner to recruit Aladdin into retrieving the magic lamp from the Cave of Wonders. This disguise would reappear during "Hercules and the Arabian Night", where he posed as a beggar to trick Hercules into fighting Aladdin.
- Sorcery: After wishing to become the most powerful sorcerer in the world, he could levitate objects, breathe fire, summon objects, and transform himself and others. In addition, he also was immune to the effects of fire, as evidenced by his passing through the flames generated by him unharmed immediately before transforming himself into a giant cobra.
- Phenomenal, Cosmic Power: After making his final wish to become an all-powerful genie, Jafar became a being capable of commanding not only the world but the universe as a whole. However, in the same way as Genie, he was still bound by the rules of being a genie, meaning that he was unable to physically kill anyone, make people fall in love with each other or bring people back from the dead. He also was unable to travel outside the close proximity of his lamp. Plus, if anything destructive happened to his lamp, he would perish along with it, unless he was wished free from it. Despite this, some of his abilities as a genie—demonstrated in both his human and genie forms—were reality manipulation, teleportation of either himself or anyone and anything else, breathing underwater, superhuman strength, terrakinesis, summoning lightning bolts, superhuman endurance, shape-shifting, telekinesis, size-alteration, object conjuring, projecting fire, creating water tornadoes, and various usages of energy beams that were powerful enough to stun various opponents, in addition to the abilities he previously demonstrated in the first movie. However, after he was killed and later revived by Hades as a spirit in an episode of the Hercules animated series, Jafar no longer has his genie powers, but remains as a sorcerer, and also demonstrated the ability to generate monsters, and was nigh-immortal so long as he had his staff.
Appearances[]
Aladdin[]
In Aladdin, Jafar is introduced as the sinister Royal Vizier to Agrabah's Sultan who desires power over the kingdom. By the start of the film, Jafar has spent years searching for the Cave of Wonders, home of the Genie's lamp. He manages to obtain one half of a Golden Scarab Beetle that—when joined—will lead its holder to the Cave of Wonders' entrance. One night, Jafar rendezvous with an underworld contact named Gazeem, whom he hired to find the second Golden Scarab Beetle half. After encountering some delays, Gazeem finally delivers the scarab, allowing Jafar to unite the two halves together and summon the Cave of Wonders from the sand. Jafar orders Gazeem to enter the cave to retrieve the lamp while promising the cave's other treasures as compensation. Once Gazeem steps into it, however, the guardian of the cave recognizes Gazeem as unworthy and closes itself off, resulting in Gazeem's death. The cave passes only a cryptic warning to Jafar relating to a "Diamond in the Rough" capable of entering the cave. Despite Iago's frustration, Jafar remains undeterred, and simply declares that he must find this "Diamond in the Rough" for their plans.
Jafar returns to Agrabah, where he learns from the Sultan that Jasmine doesn't wish to marry a prince. Jafar offers to help in exchange for the Sultan's familial sapphire ring. When the Sultan shows reluctance, Jafar uses his hypnotic snake staff to change the former's mind. After departing, Iago voices his frustration with the Sultan, but Jafar assures his accomplice that he will soon be in power. In his secret laboratory, Jafar uses the Sultan's ring to power the Sands of Time, which he uses to uncover the Diamond in the Rough. Eventually, the individual necessary to access the Cave of Wonders is identified as Aladdin. Jafar orders for Aladdin's arrest as a subtle means of recruiting him, although he did not expect Jasmine to have accompanied the street rat (she had escaped from the palace earlier to avoid having to find another prince at her doorstep). When Jasmine tries to defend Aladdin from the guards, Razoul informs the princess that his orders actually came from Jafar and must be taken up with him, to which she said that she will. Jasmine confronts Jafar that night, demanding to know why Aladdin was arrested under his authority. He tells her the Sultan has put him in charge of keeping the peace in the city and states that Aladdin was a criminal. She demands to know what was Aladdin's crime and Jafar lies to her, saying that he committed the crime of "kidnapping the princess". Jasmine states that she ran away, she was never kidnapped, Jafar, however claims that he cannot release Aladdin as he had already been executed which Jasmine is horrified by.
With Jasmine out of the way of his plans (for the time being), Jafar disguises himself as an old prisoner and sneaks into the dungeon, where he offers to help Aladdin escape in exchange for aiding him in retrieving the lamp from the Cave of Wonders; Jafar assures that the cave is filled with enough treasure to "impress a princess". Aladdin accepts the deal, and together, the two travel to the cave's entrance. Aladdin is declared worthy by its guardian, and Jafar promises to hand Aladdin his reward once the lamp has been retrieved. While inside, Aladdin's pet monkey triggers the cave's downfall. Aladdin rushes to the exit, where he finds himself dangling for life. Jafar madly requests the lamp, to which Aladdin obliges. With the lamp in his possession, Jafar attempts to kill Aladdin, but he is foiled by Abu. Aladdin and Abu are nevertheless dropped into the dissolving cave and apparently die alongside it. As Jafar boasts about his victory, he finds that the lamp is missing. Unbeknownst to him, the lamp was actually stolen by Abu, who hands it over to Aladdin. By teaming up with the Genie, the two escape the cave and return to Agrabah safely.
Afterward, Jafar is reprimanded by the Sultan for executing a prisoner without even consulting him first (Jasmine had informed the Sultan earlier of Jafar's supposed execution of Aladdin), with Jafar swearing that it won't happen again. Despite the Sultan’s forgiveness, the furious Jasmine vows to "get rid of" Jafar once she’s Queen. Jafar takes Jasmine's threats to heart, fuming over the loss of the lamp while also fearing the possible loss of his position in the palace, or worse, his head. As he contemplates on the matter, Iago concocts a new plan: Jafar can marry Jasmine, thus legally becoming entitled to the throne as sultan. Once the kingdom is under their command, they can kill both Jasmine and the Sultan and maintain absolute power for themselves. Jafar is enticed by the idea and carries it through by using a fake provision in the law that would allow a royal vizier to marry a princess, as a means to "solve" the Sultan's problems of finding a suitor for Jasmine. The Sultan, for a number of reasons, is not keen on the idea, forcing Jafar to resort to hypnosis.
Before the power of the snake staff can take full effect, the Sultan is freed from his trance by the sounds of fanfare entering the city, belonging to the flashy parade of a visiting suitor named Prince Ali. Jafar immediately sees Prince Ali as a rival for Jasmine's hand in marriage and as a potential threat to his plans, and plots to have him killed. That night, he orders Razoul and the guards to kidnap Ali and ensure he's never found. When he returns to the palace, Jafar successfully hypnotizes the Sultan, forcing him to abide by the marriage between the former and Jasmine. As Jasmine refuses, Ali reveals himself to be alive and accuses Jafar of attempted murder. Jafar tries to cover his crimes by hypnotizing the Sultan, but Ali realizes what he’s doing and destroys Jafar's staff—freeing the Sultan. Ali hands the staff to the Sultan and reveals what Jafar was doing. Jafar tries to cover himself but this time the furious Sultan doesn’t believe him and calls for Jafar's arrest. As the guards take him away, Jafar manages to escape with a smoke bomb, although not before glancing at the lamp inside Ali's turban. Back in his lair, Jafar deduces that Prince Ali is actually Aladdin in disguise. He orders Iago to steal the lamp, which the latter accomplishes the following day.
Later on, the Sultan gathers the people of Agrabah to announce the engagement of Ali and Jasmine, while Jafar observes from his hideout. Now more vengeful than ever, Jafar rubs the lamp and unleashes the Genie. He declares himself the new master of the lamp and proclaims that his first wish is to rule on high, as sultan. The Genie makes it so by stripping the Sultan of his royal garb and placing the palace atop a high mountain. Jafar's first order as ruler is to have Jasmine and her father bow to him, but they refuse. Scorned, Jafar looks to strike fear by wishing to become the most powerful sorcerer in the world. The Genie grants Jafar magical powers and a new snake staff, which he uses to humiliate Jasmine and her father. When Ali tries to intervene, he is exposed as a fraud by Jafar's magic, and is reverted back into a street rat. Jafar then banishes Aladdin to the ends of the Earth, where he will freeze to death. With Aladdin gone, Jafar falls into a fit of hysteria as he assumes control of Agrabah.
Under Jafar's rule, Agrabah is a dystopian city clouded by a blood-red sky. The Sultan has been turned into a jester, forced to endure torture at the hands of Iago. Jasmine, meanwhile, is turned into Jafar's slave. While lounging about in the palace, Jafar offers to make Jasmine his queen, which she hotly refuses. Unfazed, Jafar wishes to have Jasmine fall desperately in love with him, but the Genie tries to explain that his magic can't make people fall in love. Despite this, Jasmine appears to fall madly in lust with Jafar as she seductively flirts with him. Jafar is too caught up in his own pleasure to realize that this is a ruse, as Aladdin is mere feet away from the lamp. Iago tries to warn Jafar, but Abu intervenes. As the parrot and monkey scuffle, Jafar's attention is nearly caught, but Jasmine hastily pulls him in for a kiss to buy Aladdin more time. However, Jafar sees Aladdin's reflection in Jasmine's tiara and instantly attacks. Through the power of the snake staff, Jasmine is imprisoned in an hourglass, Abu is turned into a toy, and Carpet is unraveled. When called a "cowardly snake" afraid to fight for himself by Aladdin, Jafar responds by transforming himself into a giant cobra and striking at Aladdin. Eventually, Jafar traps Aladdin within his coils.
Jafar taunts Aladdin's helplessness without the Genie’s magic. Aladdin retorts by declaring Jafar is still just "second-best" to the Genie, as the genie gave Jafar his power in the first place and can also take it away. Realizing that what Aladdin says is true, Jafar uses his final wish to become an all-powerful genie himself. With phenomenal, cosmic power at his command, Jafar briefly seizes control of the cosmos and declares himself ruler of the universe. However, Aladdin soon points out that the power of a genie comes with a price, which manifests in Jafar receiving his own golden wrist cuffs and a black lamp that he becomes imprisoned in. Jafar, realizing too late that he has been tricked, makes a desperate attempt to escape being sucked into his lamp by grabbing onto Iago's tail feathers, but this merely drags Iago into the lamp's very small chamber alongside him. Foiled and trapped by his own greed, all of Jafar's magic over Agrabah and its inhabitants from his first two wishes is undone. Afterward, Jafar's Lamp is sent to the Cave of Wonders by Genie, where the bickering Jafar and Iago would be doomed to remain as exiled prisoners, for no less than 10,000 years.
The Return of Jafar[]
After spending some time in the sunken Cave of Wonders, Jafar's lamp is flown to the surface by Iago, who managed to free himself from the lamp. Jafar then orders him to free him as well, but Iago becomes frustrated by his owner's cruel treatment and being taken for granted, so after having a bitter argument, he drops the lamp down a well and flies away. His lamp is later found by one of Aladdin's enemies, a bandit named Abis Mal, who rubs it, finally setting Jafar free and also, inadvertently, saving Abis Mal from his own troops turning on him due to his earlier abuse towards them.
Because his genie form can't directly kill Aladdin due to its inherent limitations, and since he can't actually travel outside of close proximity of the lamp, he attempts to arrange for Abis Mal to do it for him. However, Abis Mal is terrified of his genie form and is at a loss for words, so Jafar transforms into his human form to communicate with him better. Abis Mal demands his three wishes straight away, but Jafar, after initially venting his powers in anger at Abis Mal's defiance and nearly striking at him, decides to trick him into wasting his first two wishes in order to force him to assist in his plot for revenge against Aladdin in order to get his third wish, or he will wish he had "never been born", but continues to say that if he cooperates he will see that he is amply rewarded. Abis Mal, having earlier encountered Aladdin, tells him he would've assisted him anyway after learning this due to sharing a mutual desire for revenge against him as well.
After Abis Mal infiltrates the palace without being spotted by the guards, Jafar then notices Iago with Aladdin and Jasmine and decides to exploit Iago's new friendship to factor into his plot for revenge against Aladdin. Jafar then arrives to reunite with Iago and, after assuring the terrified bird that he has no intention of exacting revenge on him for his earlier actions, demands him to lure Aladdin and the Sultan into a trap. Iago successfully gets Aladdin and Sultan to go for a flight on Carpet and while they're gone, Jafar invades the palace and begins to torment Genie and Abu. After the torture, he captures the two and begins the next part of his plan.
Aladdin, Sultan, Carpet, and Iago reach the destination and, what seems to be a peaceful and relaxing area, turns out to be a death trap as the Sultan is kidnapped by hooded men on a magic flying horses (actually all Jafar in disguise, save for Abis Mal). Aladdin threatens Iago, saying he'll deal with him later, and rushes off on Carpet to save the Sultan. Aladdin fails and is thrown down a waterfall by Abis Mal, but rescued by Jafar. Abis Mal is in shock, but Jafar explains their act of revenge isn't completed just yet, making it clear that having him dashed against the waterfall rocks wasn't what he had in mind for revenge. Jafar frames Aladdin for the murder of the Sultan, who's really being held in captivity by Jafar. Presumably, he also tricked Jasmine in order to capture her as well. Jafar disguised himself as Jasmine and ordered the guards into executing Aladdin at dawn in order to ensure that the plan worked. Jafar disguises himself as Jasmine again and, right before Aladdin's execution via decapitation, Jafar reveals himself to torture Aladdin even more. However, unknown to him, Iago, consumed with guilt for helping Jafar set up his new friends, frees Genie, who saves Aladdin in the nick of time from getting beheaded by Razoul, who Jafar tricked into believing that he had murdered the Sultan.
At the palace, Jafar rewards Abis Mal with all the treasure his heart desired, with the only thing he requests in return is for Abis Mal to grant his freedom. Before he can, however, Abis Mal ends up interrupting his own wish to wonder whether Jafar is sincere, thus resulting in Jafar issuing a threat to Abis Mal to torture him if he doesn't. Shortly afterward the lamp is taken by Aladdin and his friends, who know that the only way to destroy him is to destroy his lamp. Outraged that Aladdin is still alive, Jafar transforms into his genie form again and battles the heroes, confident that they will never destroy him because of his great power. He creates a wasteland in the palace's garden with pits of lava as a trap for Aladdin and knocks Genie unconscious. In the fiery surface, Aladdin almost reaches for the lamp, but Jafar drops a huge chunk of the palace into the lava in order to boost the rock he is on, so he can refrain from obtaining his lamp. When it seems like he is succeeding, Iago unexpectedly comes to the rescue. Jafar is furious at this betrayal and tries to attack him as well. He badly weakens his former ally, teasing Aladdin about good help being hard to find, but with his last ounce of strength, Iago kicks the lamp into the lava, and Jafar growls with rage as it melts away to nothingness. He then starts glowing, gets violently electrocuted before quickly fading, and finally imploding into a cloud of dust, destroying him for good. Peace is restored once more and Iago is welcomed into Aladdin's home.
Aladdin: The Series[]
Because of his ultimate demise in The Return of Jafar, Jafar made no physical appearances in the television series. However, he was often mentioned by the cast, mostly Iago. His secret lair in the palace remained intact even after his death, and the heroes occasionally explored it to find new, magical ways to defeat a powerful enemy. An antagonist in the series named Mozenrath is a powerful sorcerer who Iago often called "Jafar, Jr." because of the similarities in personality and appearance.
Aladdin and the King of Thieves[]
In the film series' final installment, Aladdin and the King of Thieves, Jafar makes no physical appearance, due to him being killed off in the second film, but is briefly mentioned by Genie in the film's opening song "There's a Party Here in Agrabah". Genie believes that with Jafar gone, there is no possible way the wedding of Aladdin and Jasmine can be interrupted by trouble. At this point, Genie is also seen wearing and holding a Jafar mask. In his absence, Sa'Luk takes over the role as the main antagonist.
Hercules: The Series[]
In the episode "Hercules and the Arabian Night" of Disney's Hercules television spin-off series, serving as a crossover to the Aladdin franchise, Jafar was temporarily revived by Hercules' arch-enemy, Hades.
Due to his previous demise, he no longer had his genie powers and was an ordinary sorcerer again (as was his second wish). The two villains teamed up to eliminate their enemies. Using his godly abilities, Hades enchanted Jafar's snake staff with the ability to transform the former vizier into a living man, once again. Should Jafar lose hold of the staff, however, he'll revert back into a lifeless spirit. Jafar visited the island of Hercules' hero trainer Philoctetes, where he summoned several giant beasts to battle Hercules. However, Hercules was able to defeat the creatures, sending Jafar back to the Underworld. Meanwhile, Hades sent his lackeys, Pain and Panic, to do away with Aladdin and friends, but Aladdin proved too clever for Hades' imps, so Jafar and Hades concocted yet another plot which involved kidnapping Abu, and Hercules' friend Icarus, and then telling Aladdin and Hercules that each other was the kidnapper, and having them battle each other.
Jafar himself was responsible for getting Hercules involved, using his old prisoner's disguise to trick Hercules into thinking that Icarus was kidnapped by Aladdin, although Hades inadvertently nearly ruined the disguise shortly afterward by removing the cloak. Eventually, the heroes caught on to the plot after Hercules informed Aladdin of Jafar's revival. In the Underworld, Jafar battled both Aladdin and Hercules, but the heroes defeated him once more, and Jafar met his final demise when Hercules broke his staff, turning him into a spirit once more and sealing him in the River Styx forever.
House of Mouse[]
Despite his death, Jafar also had a recurring role on House of Mouse, typically seen alongside Iago.
He appears as the main antagonist in Mickey's House of Villains, in which he relieved the villains of the Halloween boredom at the House of Mouse by taking it over and transforming it into the House of Villains. Mickey, Donald, and Goofy demand for him to leave. In response, he summons Ursula, Hades, Maleficent, and Chernabog, and they quite literally throw them out. Minnie intervenes and challenges him, but she is dragged away without effort. However, Jafar is later sealed into his magic lamp after Mickey dons his magical hat and challenges him to a duel and Aladdin sneaks in through the side door and hands them the lamp to suck Jafar into. The other villains flee leaving Jafar behind, and gets sucked into the lamp by Mickey.
Jafar also went on a date with Maleficent in one episode "Max's Embarrassing Date" and ended up getting burned literally by her staff. Many fans noted that the two characters possessed many similarities. The two are often compared as both have a regal bearing, bird side-kicks, are exceeding tall and dress in long, dark robes, and peculiar head-wear, But when Maleficent zapped him with her staff during their first date, that means there's no match for their hatred.
Two additional notable appearances on the show are on "Donald's Lamp Trade" where he tricks Donald into thinking Mickey's not his friend so he can obtain a lamp. Donald steals Genie's lamp from the prop basement when in reality Jafar wanted Mickey's lamp. In "House of Magic", in which he and Iago use the famous magic spell Bibbidi Bobbidi Boo to return the House of Mouse after Daisy Duck magically causes it to vanish by accident, and were tricked by Mickey to receive "Agrabah" as a reward for their good deeds, only to be presented with a snow globe of Agrabah.
Another appearance of his was in "Pete's House of Villains", where Pete took over the House of Mouse and placed Jafar as the doorman, replacing Donald Duck. He abuses his power by banning the cast of Aladdin (sans Jasmine), which in turn costs Pete's business. Pete fires Jafar because of this, and in response, Jafar scorches Pete by blasting a magical fire spell to burn him.
Other appearances[]
While not appearing physically, Jafar has featured vocally in the Inside the Genie's Lamp and The Genie World Tour animated shorts featured on the Aladdin Platinum and Diamond Edition DVD releases.
Jafar makes a brief, non-speaking cameo in the animated short Electric Holiday, watching in the crowd as Disney character models walked down the runway.
A stylized painting of Jafar can be seen in the first episode of the mini-series Descendants: Wicked World.
An emoticon version of Jafar appeared in the Aladdin entry of the As Told by Emoji short series. After being tricked into becoming a genie, he becomes trapped in the smartwatch that initially held Genie captive.
In the Mickey Mouse episode "Feed the Birds", Jafar briefly appears on Mickey's TV (via archive footage from the original film) when the pigeons are channel surfing.
In Once Upon a Studio, he is seen alongside Iago watching as Goofy tries to figure out how to work the camera while on top of the ladder. He is later be seen in a distance shot singing When You Wish Upon a Star with the rest of the featured Disney characters, before the group photo is taken.
Printed media[]
Jafar has regularly appeared in various printed media throughout the years. After the release of the original film, he was featured in a sequel story, similar to Return of Jafar, where he and Iago were freed from the lamp and plotted revenge against Aladdin and friends.
Kingdom Keepers[]
Jafar appears in the fourth and fifth books of the saga. In Power Play he encounters Maybeck and Willa at the Morocco Pavilion in one of their missions. He first appears as a fragile old man but then reveals his true appearance and asks for the "window magic" of the Keepers. He also seems in opposition or in a sub-division of Maleficent's Overtakers. After he shows he can turn into a cobra, like in the movie, to threaten them, Willa uses a flute in an exhibition to "charm" Jafar and she and Maybeck run away. In Shell Game, he seems to have joined Maleficent and is seen in Castaway Cay speaking to Tia Dalma. According to him, Maleficent had promised him the lamp, something which he has not yet received. He also despises signing autograph, something he finds "an insult to my dignity". He also seems to be on good terms with Tia Dalma, as he says to her "Go in peace", to which she responds in kind. Here it is revealed that his Cobra staff can transform into a real cobra and into a wooden stick, which he uses to protect the surrounding areas.
A Whole New World (A Twisted Tale)[]
The Liz Braswell novel tells an alternate story in which Jafar successfully retrieves the lamp after tricking Aladdin into entering the Cave of Wonders. Having made his canonical first two wishes, only learning of the three things the genie cannot do after he attempts to make his third wish to make Jasmine fall in love with him, he subsequently seizes control of Agrabah, becoming a tyrant and forcing the kingdom's citizens into living in crippling fear of his rule. Aladdin and Jasmine, meanwhile, form a rebellion against Jafar, teamed with various street rats from Agrabah's underworld. In the course of the novel, Jafar acquires various magic books and artifacts that allow him to create an army of ghouls, as well as sacrificing Iago for additional power and unraveling the Carpet so that some of the threads can be used to make key soldiers fly. Reference is also made to his childhood, where he states that he was sold as a child and does not even remember his family name, stating that all his original parents left him was his first name, and he had to work his way into power. He is finally defeated in the last confrontation when Jasmine's makeshift army distracts his ghoul forces, as he lacks any tactical skills. However, his final wish is that all magic will die with him, turning the genie into a human and causing his army to collapse.
Other books[]
Jafar has also appeared in books centering the Disney Villains franchise such as The Villain Files, and some centering the Disney Princesses, such as Kilala Princess. He is also in the two Descendants novels, Descendants: Isle of the Lost and Return to the Isle of the Lost: A Descendants Novel.
Video games[]
Aladdin (SEGA Genesis)[]
Jafar serves as the final boss of the final stage named Jafar's Palace where he can shoot the beam towards the player with his snake's staff. Once he was damaged by the player, he would transformed into a giant cobra from the film. But in this game, he can spit fire multiple times to damage the player. The players are having a struggle to defeat Jafar in a close range. The only way to defeat him is by throwing apples on him while getting hit from the laser in his snake staff or jumping to avoid getting damage in his cobra form.
Disney's Aladdin in Nasira's Revenge[]
Jafar is a primary focus in the game where his villainous sister Nasira plots on gaining revenge on Aladdin for the murder of her brother, and plans on bringing Jafar back from the dead in the process. She succeeds in turning the kingdom of Agrabah against Aladdin through magic, imprisons the Sultan, Genie, and Jasmine, and nearly succeeds in her plot until Aladdin reaches her lair then's foils her, killing Jafar once again.
Kingdom Hearts series[]
Jafar is a recurring villain of the Kingdom Hearts video game series, appearing in four of its installments. He is a member of Maleficent's group of villains and appears to be her second-in-command. His eventual genie form returns in this game series, but for some reason, the snake form he obtains before even becoming a genie does not.
In Kingdom Hearts, he uses the Heartless (courtesy of Maleficent) to successfully take over Agrabah; however, he was unable to find the Keyhole to his world as well as Jasmine, the sixth Princess of Heart, who had managed to escape the takeover. By the time Aladdin is rescued by Sora, Donald, and Goofy, Jafar manages to kidnap Jasmine and steals the lamp from Aladdin before he can save her, forcing Genie to work for him. In the Cave of Wonders, he wishes for the Keyhole to be revealed, and then uses his second wish for Genie to crush Sora and friends when they arrive as they engage Jafar and Genie in battle. However, despite his mastery of fire and ice spells he uses against them, the group is able to defeat Jafar. Losing, Jafar uses his last wish to become a genie himself out of desperation. But even with his newfound power, Jafar ends up getting sucked into his lamp after Sora and the others manage to retrieve it from Iago when he drops it after passing out from exhaustion.
Jafar returns in Chain of Memories as a figment of Sora's memory. In order to get the lamp, he tricked Aladdin to get the lamp in an attempt to make Jasmine marry him. When Jafar stole the lamp from Aladdin, his first wish was to have Jasmine in his clutches, his second being for Genie to protect him from a sneak attack led by Sora and Aladdin, and his third wish was to become an all-powerful Genie. He teleported Sora and his friends to the center of the earth and attacked them. His attacks were similar to that seen in the first game, except ice could not damage him. Instead of attacking Jafar directly, Sora attacks Iago, grabbing the lamp, and trapped Jafar inside like the previous encounter. He also appeared in Riku's story representing Riku's dark memories.
In Kingdom Hearts II, Iago has managed to escape from the lamp while Jafar was still trapped within the lamp. Eventually, the Peddler finds the lamp, but Pete later steals it so that Jafar can be released and turned into a Heartless. While chasing the Peddler, Iago intervenes and snatches the lamp, enabling the group to seal Jafar's lamp away. Unfortunately, the Peddler was later manipulated and found Jafar's lamp again, releasing him. Jafar then forces Iago to keep Sora occupied while Jafar kidnapped Jasmine. Once Sora and Aladdin discover the ruse, they return to the Palace to find Jafar with an incarcerated Jasmine. Upon discovery, Jafar attacks Aladdin, but hits Iago instead, who falls unconscious. Jafar then turns into his genie form to finish off Sora once and for all, but he is defeated and explodes while his lamp dissolves into darkness.
Jafar returns within Jiminy Cricket's Journal's data in Kingdom Hearts coded.
Epic Mickey: Power of Illusion[]
Along with Captain Hook, Jafar has his essence drained from the Cartoon World for the Heart Power it can give Mizrabel to escape Wasteland. He serves as the second boss in the story, having been given a room in the castle by Mizrabel, who claimed to have turned him into the most powerful sorcerer in the world. Jasmine was even given to him. After being beaten in his cobra form, Jafar reverts and realizes that Mizrabel was just using him. Much like Hook before him, Jafar abides by Mickey's request to stay in his room and not bother the non-villainous characters that need to be saved.
When sent home to reunite with his cartoon self, Jafar is told taking care of his friends is more important than power by Jiminy Cricket. Not really getting the cricket's message, Jafar says he's right as it's good to have friends in high places; he needed to get back and help the Sultan, who's helpless without him. A not-entirely false statement.
Disney's ReadingQuest With Aladdin[]
Jafar appears in Disney's ReadingQuest With Aladdin as the main antagonist.
Disney Magic Kingdoms[]
In the Aladdin story, Jafar escapes his lamp. The laws of the Kingdom strips away his genie powers, however, forcing him to find an alternative source of power in his quest to eliminate Aladdin. He eventually decides to consume the magic within the Kingdom and use it to create a curse that will destroy the Kingdom. Aladdin and his allies team up to stop Jafar, and successfully foil his plot. Afterward, he laments his defeat but nevertheless swears to have his revenge eventually.
Disney Heroes: Battle Mode[]
Jafar is as an unlockable character in Disney Heroes: Battle Mode. Jafar is Mid-Line Control role hero. Jafar ability to hypnotize (charming) and enchant enemies is the same as in the movie, using his magical hourglass to slow enemies, and summoning sandstorm to damage enemies. His defeated pose he is absorbed by the lamp but without his Genie form.
Jafar has friendship campaigns are with Gaston and Scar. He also has friendship campaigns with Magica De Spell and Dr. Facilier.
According to one of missions with Magica, Iago and Jafar aren't friends anymore, giving perspective that Jafar and Iago appeared in the City after events of The Return of Jafar.
Disney Dreamlight Valley[]
Jafar serves as the main antagonist of the "Rift In Time" expansion of the game. When the player arrives on the new island, Jafar contacts them and requests their aid to undo the damage he caused to the region as a result of his sorcery and messing up the time-space continuum of the area. This requires the player to acquire a new Royal Tool that will allow them to help fix Jafar's mistakes. However, once freed, Jafar escapes as he plans to hunt down the legendary treasure known as the Spark of Imagination. The player searches for the Spark of Imagination to find it before Jafar does, and they stumble upon underground ruins where the Spark resides. When they are about to claim it, however, they are approached by Merlin, who is actually Jafar in disguise, who steals the artifact. Jafar now returns to the palace with the Spark of Imagination and begins to open portals to the past, causing reality to collapse. He is eventually defeated by the player who tricks him into turning himself into a genie, and Jafar's lamp is put in the player's inventory. After this, the player notes that 'this trick always works'. The lamp cannot be rubbed to free Jafar.
However, Jafar's aid is needed when Oswald meddles with the nature of geometry, causing items to become 2D, such as a cactus. When the player asks Merlin for help, the wizard regrettably states that he knows little of dimensional anomalies, but that Jafar is quite educated on such matters. Reluctantly, the player goes to free Jafar from the lamp, who is surprised at his release. He is willing to help the player find a solution to the dimensional problems, but only because he knows it is also in his own best interest. He and the player go to his laboratory to study the matter, and eventually create the Dimensional Prism which causes some of the 2D items to become 3D again.
Later, Jafar requests the player's help with this alchemy projects. He explains that he is experimenting with Emotive Essences, and strives to create something that will help the villagers. With the player's help, he manages to obtain a Mysterious Stone which radiates an aura of goodness and creativity. Jafar is revolted, stating the stone is awakening 'feelings' within him; compassion and joy. He claims that he finds compassion to be a distraction, and that he has nothing to be joyous about. Still, he keeps the stone as it is a powerful artifact.
After a time of experimentation, Jafar asks the player to aid him once again. This time he claims he has created devices with the stone's help that would increase the imagination of the villagers if the player would place them in the village. The devices are strange, and almost look ominous, but the player places them throughout the valley nonetheless. However, when Oswald starts to feel weak, the player realizes something's up. Talking to Scrooge McDuck, the player realizes he no longer has his Scottish accent. Rapunzel speaks very strangely, and Gaston uses the exact vocabulary as a certain royal vizier we know. The player searches for Jafar and finds him in the ancient underground ruins, where he has trapped Oswald and is draining him of energy. The player manages to free Oswald in time, and Jafar escapes. Despite his betrayal, Oswald thinks it is better not to lock Jafar in the lamp again; he has seen into his mind for but a moment and found that Jafar's heart is lousy with loneliness. And so the player begins to think of a different way to deal with Jafar's crimes.
These events lead up to the very first trial in Dreamlight Valley: the Trial of Eternity, where Jafar is officially judged for his actions. The villagers talk about his crimes and the player tries to find if anyone has any memories of the accused acting nice. Because of the Forgetting, nobody remembers anything. The player searches for memories about Jafar around the island, and they find several where the vizier seems to be helping others. He has fixed a telescope for Stitch, counts rubies with Scrooge McDuck, and studies birds with Merlin. The evidence causes the verdict to be lighter than it would have been: Jafar is sentenced to community service.
After reflecting on his actions, Jafar is motivated by the player to do good deeds around the island. Meanwhile the player also tries to trigger positive feeling within the vizier by serving him his favorite meals (falafel, makrout, and shish taouk) which he used to enjoy in the palace. Jafar opens up ever so slightly about his past, but remains a closed book, saying he always preferred a solitary existence and that he often finds others disappointing.
When the tasks are done and Jafar has served his sentence, the player brings him a gift; a golden statue of Iago. He does not seem to be incredibly excited, but he does seem to appreciate it. In the end, when the player tells him how glad they are that he has good in him after all, Jafar hints that he had only temporarily feigned benevolence if it would get the player off his back. The conversation closes with him saying "I cannot be but myself. One can only hope that does not put us at odds again."
Now, he resides in the palace on Eternity Isle, and occasionally wanders around the island while muttering lines such as "I shall simply have to bide my time" or "patience... I must have patience", implying that he is only waiting for his chance to seize control of the valley again.
Musical[]
In the Broadway adaptation of the film, Jafar is notably portrayed by his voice actor Jonathan Freeman and plays out a role fairly similar to that of the 1992 animated film, but with a few key differences.
In this version, Iago is no longer a parrot, but instead Jafar's diminutive human assistant. Along with this, the vizier is given several new musical numbers to accompany his original reprise of "Prince Ali" including "Diamond in the Rough" and "Why Me?", a song originally meant for the film, to take place during Jafar's hostile takeover, though it was cut due to time restrictions, among other things.
His three wishes differed in the musical than the film; his first wish was to make Jasmine his prisoner, the second was to become sultan (though not to rule high, so the palace stayed where it was) and the third, like the film, was to become a genie.
Also notable, during the climax, Jafar doesn't turn into a snake, though he retains his transformation into a genie via Aladdin's quick-thinking.
Disney Parks[]
Jafar appears occasionally in the Disney theme parks as a meetable character.
Disneyland Resort[]
Jafar appeared as the main antagonist of the Broadway-style adaptation of the original film, Aladdin: A Musical Spectacular in Disney California Adventure. One notable moment includes time taken from the show's plot to focus more on the Genie's various remarks at Jafar's expense.
In the 2015 rendition of World of Color, Jafar was featured during the brief montage celebrating villains.
Walt Disney World[]
In the Disney's Hollywood Studios version of Fantasmic!, Jafar is summoned by The Evil Queen when she plots to destroy Mickey Mouse and take over Disney. In the show, Jafar turns into his snake form in an attempt to eat Mickey. When the villains get the upper hand, Jafar becomes a Genie. Soon Mickey saves the day and Jafar is killed off along with everyone else.
Jafar was one of the villains the Evil Queen summoned in her bid to take control of the Magic Kingdom in the former Castle Show Cinderella's Surprise Celebration.
In Disney Villains Mix and Mingle at the Magic Kingdom, Jafar is summoned by Maleficent along with other villains. In the show, Jafar and the villains celebrate Halloween with music and mingling. As of 2011, Jafar no longer appears, having been replaced by Frollo, with Dr. Facilier becoming the host.[9]
In Sorcerers of the Magic Kingdom, Jafar appears in Adventureland and is released from his lamp by Hades (referring to himself as Prince Azure) to be recruited to help find the Crystal of the Magic Kingdom. Secretly however Jafar plans on stealing back his lamp from Hades so that he can wish him free and may answer to no one, and trap Hades in the Cave of Wonders. Jafar uses a diamond ring from Iago to locate the crystal. Before he can retrieve it, Merlin the Wizard interferes. Hades orders Jafar to eliminate Merlin but the villain himself finds Merlin to be elusive. Jafar meets the heroic park guests set to abolish Hades' plans. Jafar sends a snake to battle the guests. While the guests were in battle, Jafar managed to kidnap Merlin and imprison him in a lamp. Together, Genie and the guests travel to the Cave of Wonders where Jafar and the crystal are found. A battle follows, ending with Jafar being sucked back into his lamp by Merlin. Jafar, like a genie, is summoned by Hades at the final battle against the park guests. However, when the villains meet their defeat, Jafar and the others were all sucked into Merlin's Crystal of the Magic Kingdom.
In the Halloween stage show at the Magic Kingdom, Hocus Pocus Villain Spelltacular, Jafar is one of the "frightful friends" Maleficent conjures to help the Sanderson Sisters with their party potion. During the finale of the show, Jafar and the others joined the sisters in singing "I Put a Spell on You".
In Happily Ever After, Jafar briefly appears in his snake form, seen battling Aladdin.
Tokyo Disney Resort[]
In Starlight Dreams, Jafar was one of the villains that joined in the attack on Mickey Mouse and friends. Like the other villains, Jafar was only seen through water projectors.
Jafar was also one of the featured villains during the resort's 2015 Halloween celebration.
Disneyland Paris[]
In France, Jafar has made numerous appearances in shows centering Disney villains, such as Disney's Maleficious Halloween Party. In Adventureland, he appears as a snake and a genie in the final windows of the walkthrough attraction Le Passage Enchanté d'Aladdin. He also appears as his normal self in the "Prince Ali"-inspired part of the attraction.
Hong Kong Disneyland[]
Jafar took part of the park's Halloween event, Villains Night Out!, where he served as the co-lead in the mini-parade alongside the Evil Queen.
Jafar can also be seen turning into a genie during the final scene of The Nightmare Experiment.
Disney Cruise Line[]
Aboard the Disney Magic and Disney Dream cruise ships, Jafar makes an appearance at the very end of Villains Tonight during Hot Talk, a spoof on popular talk shows. Here, Iago was interviewed to speak his mind about Jafar. After a series of disrespectful comments, Jafar appears but reveals to Iago that deep down, he still sees him as his best friend. Jafar is lastly seen during the finale song "Villains Tonight".
On the Disney Fantasy, Jafar is one of the villain suspects in the attraction Midship Detective Agency and is sometimes the culprit.
Differences from the source material[]
There were several differences between his role in the Disney film and the original Aladdin tale in 1001 Arabian Nights:
- In the original story, the wicked magician and the Vizier were two different characters. The vizier only wanted to obstruct Aladdin's marriage to the princess because his son was marrying her. The magician was the true villain. The movie combined the two characters.
- In the original tale, the wicked magician fooled Aladdin into thinking he was his long-lost uncle. In the Disney film, Jafar fools him by disguising himself as an imprisoned beggar.
- In addition, the magician in the original tale abandoned Aladdin in the cave because Aladdin could not give him the lamp since he was weighed down with the jewels he had taken from the cave. In the film, Jafar tried to kill him simply because Aladdin outlived his usefulness after getting the lamp from him.
- In the original tale, the magician discovered that Aladdin had the lamp by deducing him as the prince after hearing the news that he'll wed the Princess. In the film, Jafar discovered Aladdin had the lamp after Aladdin revealed his treachery.
- In addition, the wicked magician originally got the lamp from Aladdin by deceiving the princess with a "new lamps for old" trick, while in the Disney version, he had Iago retrieve the lamp by distracting him via mimicking Jasmine's voice.
- Neither the Vizier nor the Magician became a genie as his downfall in the original tale. Instead, Aladdin outsmarted him with help from his ring genie, which the magician had originally given him as protection before he entered the cave.
- Similarly, the magician in the original tale was actually killed in the story instead of transforming into a Genie, due to being poisoned by the princess and then slain with the sword by Aladdin. This plot point was subtly referenced late in the film (see Trivia for more details).
- In the original tale, both the magician and the vizier were of African ethnicity. In the movie, Jafar is Middle Eastern like the other characters.
Gallery[]
Trivia[]
- Jafar has a recurring musical theme in Aladdin, which can be found as "On a Dark Night" on the official soundtrack. The character was intended to have a song that would have been placed during the climax; some include "Humiliate the Boy", "Why Me?", "Master of the Lamp",[4] and "My Finest Hour"—the latter of which incorporated the melody of "On a Dark Night". In the end, as the filmmakers believed a full song would disrupt the film's pace, Jafar was given a dark reprise of "Prince Ali".
- Jafar's sorcerer outfit was originally going to be blue as shown in the storyboards of "Why Me?"
- "Jafar" translates as "Stream" in Arabic.
- The name itself is reminiscent of a 1790s Indian politician named Mir Jafar, who was particularly infamous for selling out the then-reigning Nawab (leader) to the English in order to usurp the title, which was similar to Jafar's plot to overthrow the Sultan in the movie, although unlike Mir Jafar, Jafar failed.
- He also shares his name with Ja'far bin Yahya al-Barkmaki, advisor to Caliph Harun Al-Rashid.
- As he spends much of the film hiding his true emotions, Andreas Deja designed Jafar's face to resemble a mask.[4]
- Jafar's death is one of the slightly more graphic deaths of a Disney villain, as he behaves in a manner similar to electrocution as his lamp melts and his skeleton can even be seen.
- The DVD release, however, censors this by removing several frames of his skeleton (though the last two scenes of his skeleton remain intact) This is due by the fact that the frame rate of the DVD version is different from the VHS since the parts of his skeleton flicker in a different frame rate from the last two scenes.
- Jafar is also the only villain to die in his second film instead of the first.
- During the scene where Genie is discussing his wish for freedom, he briefly transforms into a sinister-looking version of himself with a reddish-pink hue, similar to what Jafar would assume at the climax, even adopting a similar cosmic background and body language.
- Both Genie's description of what Genies entail and the scene of Jafar's transformation in the climax were homages to the Disney educational short Our Friend the Atom.
- Also, the lighting on Jafar's genie design pays homage to Chernabog from Fantasia.[4]
- Originally, when he made his wish to become sultan, Jafar did more than merely steal the Sultan's attire and have Genie place the palace atop a mountain behind them: He also unleashed a shock wave that resulted in history being altered to make it appear as though Jafar had been the sultan all along instead of usurping the position from the actual Sultan. The only ones immune to this and retaining their knowledge of what really happened were the Magic Carpet (due to being immune to the effects of the wave), Aladdin and Abu (the latter two being covered by the Magic Carpet at the last second). This plot point was cut due to it being too confusing, although a similar plot point would eventually be enacted in the Aladdin TV series episode "SandSwitch" via the character Sadira against Princess Jasmine, and the ones immune to the spell are Iago, Abu, and Rajah due to Sadira neglecting to include animals in the spell.
References[]
- ↑ Mentioned in Music Behind the Magic - Arabian Nights, Reprise #1 (Demo)
- ↑ Mentioned in Music Behind the Magic - Arabian Nights, Reprise #1 (Demo)
- ↑ "John Musker Question Countdown - Number 9".
- ↑ 4.0 4.1 4.2 4.3 4.4 Aladdin, Platinum Edition DVD: Pop-Up Fun Facts
- ↑ https://www.wordplayer.com/columns/wp53.The.Rules.html
- ↑ "Aladdin Cast and Directors Divulge New Details About the Disney Movie and Reflect on Robin Williams' Performance" (October 14, 2014).
- ↑ "'Aladdin': The Original Voice Of Jafar Explains Why He Prefers Disney Villains Over Heroes" (May 25, 2019).
- ↑ Entertainment Weekly: The Ultimate Guide to Aladdin, page 82
- ↑ http://www.youtube.com/watch?v=DKgYnvkPEQc
Variants[]
External links[]
- Jafar (Disney) on Wikipedia
- Jafar on Kingdom Hearts Wiki
- Jafar (Disney) on Villains Wiki
- Jafar (2019) on Villains Wiki
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