Burr is of Danish, French, Scots-Irish and German descent. His parents were Howard Babin and Dorothy Burr, a vaudeville dance team that performed in film and on stage as "Dot and Dash". He was born in Dayton, Kentucky.
At age four, Burr started dance lessons and was soon making live appearances on local TV shows as well as acting on radio and turned professional at five. By six he began working on national television and radio, acting in commercials and landed his first film appearance in A Yank in Korea (1950). He had his first recurring television role as the next door neighbor Oliver Quimby on The Ruggles situation comedy (1950-1951). He guest starred on several TV series. His stage career began at the Pasadena Playhouse at age six.
Lonnie landed his first guest star role as the title character on a segment of The Range Rider and the same year, his eighth, he performed his first stage lead in The Strawberry Circle. His film roles include Queen for a Day (1951), Hans Christian Andersen (to whom he is related) (1952), The Greatest Show on Earth (1952), and Apache (1954).
His early television commercials include Space Patrol and The Lone Ranger.
Mickey Mouse Club
In 1955, he was signed to a seven-year contract by Walt Disney Studios as one of twenty-four original Mouseketeers. He was made a member of the show's first string unit, the Red Team, and appeared in the show's Roll Call and Alma Mater segments daily for the first two seasons. (A facial injury suffered during rehearsal kept him off-camera during the filming of Roll Call and Alma Mater for the third season). While on the show Lonnie performed in skits and musical variety numbers, both as a soloist and with others. He was generally acknowledged to be one of the show's three top dancers and his slightly husky singing voice caused other Mouseketeers to nickname him "The Velvet Smog" for at twelve he also resembled "The Velvet Fog", singer Mel Tormé.
Roles as an adult
After The Mickey Mouse Club stopped filming in 1958, Burr finished high school, turning fifteen a few days before getting his diploma, and achieved a B.A. and M.A. in Theatre Arts from UCLA by age twenty. He then completed a year toward a Ph.D. in English Literature. He resumed performing in the 1960s in plays and musicals including Broadway, films, television, commercials and industrial films.
His 25 films include Sweet Charity (1968), The Prisoner of Second Avenue (1975), Hook (1991), Newsies (1992), and Police Academy: Mission to Moscow (1994). He has over 60 TV credits as an adult. Burr also has a total of over 100 radio performances. His 49 stage roles range from Mack and Mabel on Broadway, the first National Company with Joel Grey and the Las Vegas production on his own of George M!, the Los Angeles company of 42nd Street and Tamara.
Burr also directed for radio, TV, and theater and choreographed plays, musicals, commercials, industrial films, and live performances—one that he also wrote and appeared in at Disneyland. He has written two books of poetry, the non-fiction book TWO FOR THE SHOW: Great 20th Century Comedy Teams (2000), five plays (Icons Are Not in Vogue, Occam's Razor, Over the Hill, Children Are Strangers, and Exeunt All), and the book and lyrics for the musical Fantasies, which have been staged in Los Angeles and New York City. In February 2009, his autobiography, Confessions of an Accidental Mouseketeer, was published. His autobiography was re-released - and updated - on February 24, 2014 under a new title, "The Accidental Mouseketeer".
Burr published articles on various subjects for eighteen national and regional magazines, newspapers such as the Los Angeles Times, The Village Voice, The Washington Times, and Cincinnati Enquirer, and also for e-zines. He has written for the screen, TV and has had 22 produced radio scripts that aired in the U.S. on a 500-station syndicate for Heartbeat Theatre and American Radio Theater.
Burr also appeared as a contestant on two game shows: The Big Showdown (1975) and Wordplay (1987). After losing in his second appearance on WordPlay, the celebrity panelists put on mouse ears and sang the ending theme version of the Mickey Mouse March.