Pixar Animation Studios is an American computer animation film studio based in Emeryville, California and a part of the Walt Disney Studios group. The studio has earned 27 Academy Awards, 8 Golden Globes, and 3 Grammy Awards, along with many other awards and acknowledgements.

It is best known for its CGI-animated feature films created with PhotoRealistic RenderMan, its own implementation of the industry-standard RenderMan image-rendering application programming interface used to generate high-quality images. Pixar began in 1979 as the Graphics Group, part of the Computer Division of Lucasfilm before it was acquired by Apple Computer co-founder Steve Jobs in 1986. The Walt Disney Company bought Pixar in 2006 at a valuation of $7.4 billion; the transaction made Jobs the largest shareholder in Disney.

It's one of the main four Disney branches, and one of the four main Disney shared universes (with the Pixar Universe often called the Pixar Theory), the other three being the Disney Animated Canon, the Marvel Cinematic Universe, and Star Wars (which takes place in an universe called "The Galaxy Far, Far Away" or just "The Galaxy).

Pixar has produced twenty-two feature films, it began with Toy Story in 1995, best known for being the first long-length feature film made in CGI animation format ever. It was followed by A Bug's Life in 1998, Toy Story 2 in 1999, Monsters, Inc. in 2001, Finding Nemo in 2003, The Incredibles in 2004, Cars in 2006, Ratatouille in 2007, WALL-E in 2008, Up in 2009, Toy Story 3 in 2010, Cars 2 in 2011, Brave in 2012, Monsters University in 2013, both Inside Out and The Good Dinosaur in 2015, Finding Dory in 2016, both Cars 3 and Coco in 2017, Incredibles 2 in 2018, Toy Story 4 in 2019, both Onward and Soul in 2020, and Luca in 2021.

Eighteen of the films has received both critical and financial success, with the notable exceptions being Cars 2, The Good Dinosaur and Onward the former which although was a financial success, received substantially less praise than Pixar's previous films while the latter, although met with favourable reviews, was a considered a box office flop. As of December 2013, its feature films have made over $8.5 billion worldwide, with an average worldwide gross of $607 million per film. In addition, a good majority of the films produced by Pixar are among or have been the top 50 highest-grossing animated films of all time, with Finding Nemo (#47), Finding Dory (#32), Toy Story 3 (#26), and Incredibles 2 (#15) all currently in the top 50 highest-grossing films of all time.

Since the award's inauguration in 2001, most of Pixar's films have been nominated for the Academy Award for Best Animated Feature, with ten winning; Finding Nemo, The Incredibles, Ratatouille, WALL-E, Up, Toy Story 3, BraveInside Out, Coco, and Toy Story 4Up and Toy Story 3 are two of only three animated films to be nominated for the Academy Award for Best Picture.

On September 6, 2009, executives John Lasseter, Brad Bird, Pete Docter, Andrew Stanton, and Lee Unkrich were presented with the Golden Lion for Lifetime Achievement by the Biennale Venice Film Festival. The award was granted by Lucasfilm founder George Lucas.

In Ralph Breaks the Internet, Anna refered to it as "the other studio".

History of Pixar

Early history

Disney Pixar

The ten franchises made by Disney Pixar up to 2012.

Pixar was founded as The Graphics Group, one third of the Computer Division of Lucasfilm which was launched in 1979 with the hiring of Dr. Ed Catmull from the New York Institute of Technology (NYIT), where he was in charge of the Computer Graphics Lab (CGL). At NYIT, the researchers pioneered many of the CG foundation techniques—in particular the invention of the "alpha channel" (by Catmull and Alvy Ray Smith); years later, the CGL produced an experimental film called The Works.

After moving to Lucasfilm, the team worked on creating the precursor to RenderMan, called REYES (for "renders everything you ever saw") and developed a number of critical technologies for CG—including "particle effects" and various animation tools.

The team began working on film sequences with Industrial Light & Magic on special effects in 1982. After years of research, and key milestones in films such as the Genesis Effect in Star Trek II: The Wrath of Khan and the Stained Glass Knight in Young Sherlock Holmes, the group, which numbered about 45 individuals back then, was purchased in February 1986 by Steve Jobs shortly after he left Apple Computer. Jobs paid $5 million to George Lucas and put $5 million as capital into the company.

A factor contributing to Lucas' sale was an increase in cash flow difficulties following his 1983 divorce, which coincided with the sudden drop-off in revenues from Star Wars licenses following the release of Return of the Jedi.  Pixar spun off from Lucasfilm as a result. The newly independent company was headed by Jobs, who served as Chairman and Chief Executive Officer of Pixar. Dr. Edwin Catmull served as Chief Technology Officer and Dr. Alvy Ray Smith as Executive Vice President and Director. In 2001, Edwin Catmull was named President of Pixar.

Initially, Pixar was a high-end computer hardware company whose core product was the Pixar Image Computer, a system primarily sold to government agencies and the medical community. One of the buyers of Pixar Image Computers was Disney Studios, which was using the device as part of their secretive CAPS project, using the machine and custom software to migrate the laborious ink and paint part of the 2-D animation process to a more automated and thus efficient method. The Image Computer never sold well. In a bid to drive sales of the system, Pixar employee John Lasseter—who had long been creating short demonstration animations, such as Luxo Jr., to show off the device's capabilities—premiered his creations at SIGGRAPH, the computer graphics industry's largest convention, to great fanfare.

As poor sales of Pixar's computers threatened to put the company out of business, Lasseter's animation department began producing computer-animated commercials for outside companies. Early successes included campaigns for Tropicana, Listerine, Life Savers, and Terminator 2: Judgment Day. In April 1990 Jobs sold Pixar's hardware division, including all proprietary hardware technology and imaging software, to Vicom Systems, and transferred 18 of Pixar's approximate 100 employees.

The same year Pixar moved from San Rafael to Richmond, California. During this period, Pixar continued its relationship with Walt Disney Feature Animation, a studio whose corporate parent would ultimately become its most important partner. In 1991, after a tough start of the year when about 30 employees in the company's computer department had to go (including the company's president, Chuck Kolstad), which reduced the total number of employees to just 42, Pixar made a $26 million deal with Disney to produce three 3D computer-animated feature films, the first of which was Toy Story. At that point, the software programmers, who were doing RenderMan and CAPS, and Lasseter's animation department, who made television commercials and a few shorts for Sesame Street, was all that was left of Pixar.

Despite the total income of these products, the company was still losing money, and Jobs often considered selling it. Even as late as 1994, Jobs contemplated selling Pixar to other companies, among them Microsoft. Only after confirming that Disney would distribute Toy Story for the 1995 holiday season did he decide to give it another chance. The film went on to gross more than $350 million worldwide. Later that year, Pixar held its initial public offering on November 29, 1995, and the company's stock was priced at US$22 per share.



Disney's Pixar custom logo used from 1995-2007.

Pixar and Disney had disagreements after the production of Toy Story 2. Originally intended as a straight-to-video release (and thus not part of Pixar's three-picture deal), the film was eventually upgraded to a theatrical release during production. Pixar demanded that the film then is counted toward the three-picture agreement, but Disney refused. Pixar's first five feature films have collectively grossed more than $2.5 billion, equivalent to the highest per-film average gross in the industry.

Though profitable for both, Pixar later complained that the arrangement was not equitable. Pixar was responsible for creation and production, while Disney handled marketing and distribution. Profits and production costs were split 50-50, but Disney exclusively owned all story and sequel rights and also collected a distribution fee. The lack of story and sequel rights was perhaps the most onerous aspect to Pixar and set the stage for a contentious relationship.

The two companies attempted to reach a new agreement in early 2004. The new deal would be only for distribution, as Pixar intended to control production and own the resulting film properties themselves. The company also wanted to finance their films on their own and collect 100 percent of the profits, paying Disney only the 10 to 15 percent distribution fee. More importantly, as part of any distribution agreement with Disney, Pixar demanded control over films already in production under their old agreement, including The Incredibles and Cars. Disney considered these conditions unacceptable, but Pixar would not concede.

Disagreements between Steve Jobs and then Disney Chairman and CEO Michael Eisner made the negotiations more difficult than they otherwise might have been. They broke down completely in mid-2004, with Jobs declaring that Pixar was actively seeking partners other than Disney. Pixar did not enter negotiations with other distributors. After a lengthy hiatus, negotiations between the two companies resumed following the departure of Eisner from Disney in September 2005.

In preparation for potential fallout between Pixar and Disney, Jobs announced in late 2004 that Pixar would no longer release movies at the Disney-dictated November time frame, but during the more lucrative early summer months. This would also allow Pixar to release DVDs for their major releases during the Christmas shopping season. An added benefit of delaying Cars was to extend the time frame remaining on the Pixar-Disney contract to see how things would play out between the two companies.

Pending the Disney acquisition of Pixar, the two companies created a distribution deal for the intended 2007 release of Ratatouille, in case the acquisition fell through, to ensure that this one film would still be released through Disney's distribution channels. (In contrast to the earlier Disney/Pixar deal Ratatouille was to remain a Pixar property and Disney would have received only a distribution fee.) The completion of Disney's Pixar acquisition, however, nullified this distribution arrangement. Unlike the earlier Pixar/Disney deal used for the earlier films, this one has the following caveats:

  • Pixar is responsible for 100% of the production costs.
  • Pixar owns the film and the rights to the characters.
  • Disney is paid only a straight distribution fee.

Acquisition by Disney

Disney announced in January 2006 that it had agreed to buy Pixar for approximately $7.4 billion in an all-stock deal. Following Pixar shareholder approval, the acquisition was completed January 25, 2006. The transaction catapulted Steve Jobs, who was the majority shareholder of Pixar with 50.1%, to Disney's largest individual shareholder with 7% and a new seat on its board of directors. Jobs' new Disney holdings exceeded holdings belonging to ex-CEO Michael Eisner, the previous top shareholder, who still held 1.7%; and Disney Director Emeritus Roy E. Disney, who held almost 1% of the corporation's shares. Pixar shareholders received 2.3 shares of Disney common stock for each share of Pixar common stock redeemed.

As part of the deal, John Lasseter, by then Executive Vice President, became Chief Creative Officer (reporting to President and CEO Robert Iger and consulting with Disney Director Roy Disney) of both Pixar and the Walt Disney Animation Studios, as well as the Principal Creative Adviser at Walt Disney Imagineering, which designs and builds the company's theme parks. Catmull retained his position as President of Pixar, while also becoming President of Walt Disney Animation Studios, reporting to Bob Iger and Dick Cook, chairman of Walt Disney Studio Entertainment. Steve Jobs' position as Pixar's Chairman and Chief Executive Officer was also removed, and instead, he took a place on the Disney board of directors.

Lasseter and Catmull's oversight of both the Disney and Pixar studios did not mean that the two studios were emerging, however. In fact, additional conditions were laid out as part of the deal to ensure that Pixar remained a separate entity, a concern that analysts had expressed about the Disney deal. Some of those conditions were that Pixar HR policies would remain intact, including the lack of employment contracts. Also, the Pixar name was guaranteed to continue, and the studio would remain in its current Emeryville, California location with the "Pixar" sign. Finally, branding of films made post-merger would be "Disney•Pixar" (beginning with Cars).

Jim Morris, producer of WALL-E, has been named general manager of Pixar. In this new position, Morris is in charge of the day-to-day running of the studio facilities and products. There were additional conditions laid out as part of the deal to ensure that Pixar remains a separate entity, a concern that many analysts had about the Disney deal [1]:

  • If Pixar pulls out of the deal, they must pay Disney a penalty of US $210 million.
  • The Disney board would include Steve Jobs.
  • John Lasseter has the authority to approve films for both Disney and Pixar studios, with Disney CEO Robert Iger carrying final approving authority.
  • The deal requires that Pixar's primary directors and creative executives must also join the combined company. This includes Andrew Stanton, Pete Docter, Brad Bird, Bob Peterson, Brenda Chapman, Lee Unkrich, and Gary Rydstrom.
  • There will be a steering committee that will oversee animation for both Disney and Pixar studios, with a mission to maintain and spread the Pixar culture. This committee will consist of Catmull, Lasseter, Jobs, Iger, Cook, and Tom Staggs. They will meet at Pixar headquarters at least once every two months.
  • Pixar HR policies will remain intact, including the lack of employment contracts.
  • Ensures the Pixar name will continue, and that the studio will remain in its current Emeryville, California location with the "Pixar" sign.
  • Branding of films made post-merger will be "Disney Pixar".


On April 20, 2010, Pixar Animation Studios opened a new studio in the downtown area of Vancouver, British Columbia, Canada. The roughly 2,000 square meters studio is primarily producing shorts and TV specials based on characters from Pixar's feature films. The studio's first production was the Cars Toons episode "Air Mater".


While some of Pixar's first animators were former cel animators, including John Lasseter, they also came from stop motion animation and/or computer animation or were fresh college graduates. A large number of animators that make up the animation department at Pixar were hired around the time Pixar released A Bug's Life and Toy Story 2. Although Toy Story was a successful film, it was Pixar's only feature film at the time. The majority of the animation industry was and is still located in Los Angeles, California, while Pixar is located 350 miles north in the San Francisco Bay Area. Also, traditional 2-D animation was still the dominant medium for feature animated films.

With the death of Los Angeles–based animators willing to move their families so far north, give up traditional animation, and try computer animation, Pixar's new-hires at this time either came directly from the college or had worked outside feature animation. For those who had traditional animation skills, the Pixar animation software (Marionette) is designed so that traditional animators would require a minimum amount of training before becoming productive.

In an interview with PBS talk show host Tavis Smiley, Lasseter said that Pixar films follow the same theme of self-improvement as the company itself has: with the help of friends or family, a character ventures out into the real world and learns to appreciate his friends and family. At the core, Lasseter said, "it's gotta be about the growth of the main character, and how he changes."

Pixar has been criticized for its lack of female protagonists. Brave, Pixar's 13th cinema release, is the studio's first with a female lead (voiced by Kelly Macdonald). By the MPAA, most of the films are rated G, while 9 of them are rated PG (The Incredibles, Up, Brave, Inside Out, The Good Dinosaur, Finding Dory, Coco, Incredibles 2, and Onward). However, the G-Rated Cars 2 contains violence and rude humor, which was a controversy in 2011. If only Cars 2 was rated PG. Also, except for Cars 2, their films have had positive reviews, with 10 films (the only exceptions being Cars, Brave, Monsters University, The Good Dinosaur, Cars 3 and Onward) being above 90% on Rotten Tomatoes.

All Pixar films are box office successes except for The Good Dinosaur, which worldwide made $317.5 million on a $200 million budget, and Onward made $109.4 million in worldwide on a $200 million budget.

Sequels and prequels

Toy Story 2 was commissioned by Disney as a direct-to-video, 60-minute film. Feeling the material was not very good, John Lasseter convinced the Pixar team to start from scratch and make that their third full-length feature film, Toy Story 3 was the second big-screen sequel when it was released on June 18, 2010. Cars 2, the studio's third theatrical sequel, was released on June 24, 2011. On June 27, 2011, Tom Hanks implied that a fourth Toy Story movie was in the works, and in 2015, the film, Toy Story 4 was announced for a June 16, 2017 release date.

Pixar states that they believe that sequels should only be made if they can come up with a story as good as the original. Following the release of Toy Story 2, Pixar and Disney had a gentlemen's agreement that Disney would not make any sequels without Pixar's involvement, despite their right to do so. In 2004, after Pixar announced they were unable to agree on a new deal, Disney announced that they would go ahead with sequels to Pixar's films with or without Pixar. Toy Story 3 was put into pre-production at the new CGI division of Walt Disney Feature Animation, Circle 7 Animation.

When Lasseter was placed in charge of all Disney and Pixar animation following the merger, he immediately put all sequels on hold; Disney stated that Toy Story 3 had been canceled. However, in May 2006, it was announced that Toy Story 3 was back in pre-production, under Pixar's control when a new plot had been conceived.

Lasseter further fueled speculation on future sequels when he stated, "If we have a great story, we'll do a sequel". Cars 2, Pixar's first sequel not based on Toy Story, was officially announced on April 8, 2008. Monsters University, the prequel to Monsters, Inc. and Pixar's first prequel, was announced on April 22, 2010, for release on November 2, 2012. However, on April 5, 2011, it was announced that the film's release date had been pushed back to June 21, 2013, due to the success of Pixar films that are released in the summer, according to Disney distribution executive Chuck Viane.

In 2014, Brad Bird claimed to have begun pre-production on a sequel to The Incredibles, with it being eventualy revealed as Incredibles 2.

Expansion to television

Toy Story was the first Pixar film to be extended into television, with the Buzz Lightyear of Star Command film and TV series. Cars was expanded to television via Cars Toons, a series of shorts (three to five minutes) running between regular Disney Channel shows and featuring Mater (the tow truck voiced by comedian Larry the Cable Guy).

Animation and live-action

All Pixar films to date have been computer-animated features (WALL-E has so far been the only Pixar film not to be completely animated, featuring a small live-action element). 1906, the live action film by Brad Bird about the 1906 San Francisco earthquake, is currently in development. Bird has stated that he was "interested in moving into the live action realm with some projects" while "staying at Pixar because it's a very comfortable environment for me to work in."

Product pipeline

In 2008, Pixar announced Newt, a story about the last two blue-footed newts in existence destined to mate to save their species from extinction, scheduled for release in June 2012. This project was to be followed by the fantasy film The Bear and the Bow.

In April 2010, Disney/Pixar announced that, instead, The Bear and the Bow would be released first, under the new name Brave, followed by a sequel (actually a prequel) to their 2001 feature Monsters, Inc. later that year. Newt was also removed from the official Disney A to Z Encyclopedia supplement by chief archivist Dave Smith, who confirmed that the film had been canceled. In May 2011, Pixar CCO John Lasseter implied that Newt had been shelved due to it having a similar plot-line to Blue Sky Studios' film Rio.

In April 2012, Pixar announced their intention to create a film centered on the Mexican holiday Día de los Muertos and to be directed by Lee Unkrich, under the new name Coco.

Executive leadership

Up until his death in late 2011, Jobs continued in his role as chairman and was also the company's CEO. Catmull remains president. Lasseter —a two-time Academy Award-winning director and animator— oversaw all of the company's projects as Executive Vice President of the Creative Department until 2018, when he left Pixar and Pete Docter became the new Executive Vice President of the Creative Department. Other notable members of the executive team are Sarah McArthur (Executive Vice President of Production), Simon Bax (Executive Vice President and CFO), and Lois Scali (Executive Vice President and General Counsel).


Since December 2005, Pixar has held exhibitions celebrating the art and artists of Pixar, over their first twenty years in animation.

Pixar: 20 Years of Animation

Pixar held one such exhibition, from April to June 2010, at Science Centre Singapore, in Jurong East, Singapore. It was their first time holding an exhibition in Singapore.

The exhibition highlights consist of work-in-progress sketches from various Pixar productions, clay sculptures of their characters, and an autostereoscopic short showcasing a 3D version of the exhibition pieces which is projected through 4 projectors. Another highlight is the Zoetrope, where visitors of the exhibition are shown figurines of Toy Story characters "animated" in real-life through the zoetrope.

The logo is the same as the 1995 version, except as the screen darkens to reveal only Luxo's light, "20 Years of Animation" appears on-screen, with Luxo's light as the "0".

Pixar: 25 Years of Animation

Pixar celebrated 25 years of animation in 2011 with the release of its twelfth feature film, Cars 2. Pixar had celebrated its 20th anniversary with the first Cars. The Pixar: 25 Years of Animation exhibition was held at the Oakland Museum of California from July 2010 until January 2011. The exhibition tour debuts in Hong Kong and was held at the Hong Kong Heritage Museum in Sha Tin, between March 27 and July 11, 2011.

Pixar: 25 Years of Animation includes all of the artwork from Pixar: 20 Years of Animation, plus art from Ratatouille, WALL-E, Up, and Toy Story 3.

The Science Behind Pixar

Main article: The Science Behind Pixar

The Science Behind Pixar is a travelling exhibition, developed by the Museum of Science in Boston, Massachusetts in collaboration with Pixar, that teaches about the production pipeline at Pixar in the form of the filmmaking process. The exhibition's tour started at the Museum of Science in mid-2015 and is expected to last ten years with limited tour availability beginning in 2021.


Short films ("Shorts")

Main article: List of Pixar Shorts

Feature film traditions

The Pixar Format

All Pixar features have a common theme. The setting of the film is always a world in which people/creatures/objects that are not commonly thought to have normal everyday lives live in societies resembling modern American society. For example:

  • Toy Story, Toy Story 2, Toy Story 3, and Toy Story 4 — Toys come to life and have adventures when their owners are away.
  • A Bug's Life — Insects live in harmony and have their own hierarchy and tiny little cities.
  • Monsters, Inc. and Monsters University — Horrifying monsters live everyday lives in their own community. Scaring kids is just their day job.
  • Finding Nemo and Finding Dory — The ocean, like Earth's land mass, has its own cities, schools, and communities ruled by fish.
  • The Incredibles and Incredibles 2 — Superheroes live among us and take ordinary jobs and have ordinary problems, such as a greedy boss or a troublemaking son.
  • Cars, Cars 2, and Cars 3 — Vehicles live by themselves without humans.
  • Ratatouille — A rat visits Paris and wants to cook.
  • WALL-E — A little robot finds adventure in space.
  • Up — An old man's house gets lifted by balloons and he finds adventure.
  • Brave — In a kingdom, a rebellious princess wants to live as freely as she desires.
  • Inside Out — Taking place inside a girl's mind, five emotions have conflict helping her adjust to a new life in a new place.
  • The Good Dinosaur — A young dinosaur tries to find his way home with the help of a strange caveboy.
  • Coco — A living boy ends up in the Land of the Dead, a place where people live as skeletons after they die.
  • Onward — Takes place in a world consisting of fantasy creatures that depended on modern appliances and abandons magic.
  • Soul — A jazz performer's soul wants to try and get back into his original body after an accident.

John Ratzenberger

John Ratzenberger, most widely known as the postman Clifford Clavin from the television sitcom Cheers, is always a character voice, referred to by the studio as their "good luck charm". The following is a list of his roles in the first nineteen Pixar movies:

He also voiced a character in the English dub of Spirited Away, overseen by John Lasseter. Actor Wallace Shawn also appears in multiple Pixar films. He has become such a stable part of the company that he plays on its softball team. Bonnie Hunt is also the second most prolific recurring actor for Pixar, only behind John Ratenbreg.

Joe Ranft

Like John Ratzenberger (above), Joe Ranft had made the voice of characters in all of the Pixar films (until Cars, which was completed prior to his untimely passing and noted in the credits of the film). The following is a list of his roles in the first seven Pixar movies:

  • Toy Story — Lenny the Binoculars
  • A Bug's Life — Heimlich the Caterpillar/additional voices including the fly who demanded a refund
  • Toy Story 2 — Wheezy the penguin/Heimlich the Caterpillar during the outtakes.
  • Monsters, Inc. — additional voices/Pete "Claws" Ward
  • Finding Nemo — Jacques the Shrimp
  • The Incredibles — additional voices
  • Cars — Red the fire truck and Peterbilt (released posthumously)


Similar to George Lucas' 1138, the letter-number sequence A113 is an animation in-joke that appears in all Pixar films to date, except Monsters, Inc. It is a reference to one of the room numbers at CalArts (where several of the employees are alumni).


  • Toy Story: As Ms. Davis' license plate number.
  • A Bug's Life: As a code on a cereal box as Flik enters the bug city. Also on the Casey Jr. Cookies wagon as "Vitamin A113."
  • Toy Story 2: One of the announcements at the airport calls for a "LassetAir Flight A113," also referencing John Lasseter. Appears again on Ms. Davis' license plate.
  • Finding Nemo: As the model code for the diver's underwater camera.
  • The Incredibles: A room number in Syndrome's lair, as Level A1, Room #13, the conference room where Mr. Incredible was attacked by Omnidroid v.X9.
  • Cars: Mater's license plate number. Also appears on the train Lightning McQueen almost crashed into.
  • Ratatouille: Git, the lab rat, has a tag on his left ear that bears the sequence. Also on the train in the movie Linguini was watching.
  • WALL•E: As the directive code for Auto to carry out. This is the first time the sequence has bore any significance to the movie's plot.
  • Up: On the sign of the courtroom.
  • Toy Story 3: Once again as Ms. Davis' license plate number.
  • Cars 2: Again as Mater's license plate number and on Siddeley the spy jet's rudder.
  • Brave: Appears as "ACXIII" above the front door of the Witch's cottage.
  • Monsters University: The number of the classroom when Sulley bursts in.
  • Inside Out: Graffiti on the wall when Riley gets a call as she is running away.
  • The Good Dinosaur: Formed by sticks on the fence around the chicken pen.
  • Finding Dory: The license plate on the truck with CAL in front of it: "CALA113." Also on Fluke and Rudder's tags.
  • Cars 3: Once again as Mater's license plate number, on the door of Sterling's main office in Rusteze Research Center and on Shannon Spokes' press sticker.
  • Coco: Seen in one of Ernesto's albums and on the door entrance of the "Department of Family Reunions" in the Land of the Dead's Grand Central Station.
  • Incredibles 2: Seen on a dumpster, on the front of the Metrolev hover train, on the door entrance of the editing room in DEVTECH building, on the International Superhero Accord contract and on the marquee of the movie theater.
  • Toy Story 4: Seen on the carpet of Second Chance Antiques.
  • Onward: At the end of the film, Colt Bronco receives a call on his police radio of a 1-1-3 in progress.
  • Soul:

Pizza Planet Truck

The Pizza Planet Truck which featured prominently in Toy Story appears in each of the Pixar films, except The Incredibles (although it did appear in the video game). The truck is noticeable for only showing the letters "Yo" (the only letters left from the car's brand; "Gyoza"- Gyoza is a Chinese Food/dish, not "Toyota" as is commonly thought). In the Cars franchise, the Pizza Planet Truck is named Todd (who does not speak).


  • Toy Story: Buzz and Woody get to Pizza Planet in this truck so they can catch up to Andy and his family.
  • A Bug's Life: As the two bugs are talking about seeing the light, the truck can be seen on-screen.
  • Toy Story 2: The toys steal and drive the truck to the airport in order to save Woody.
  • Monsters, Inc.: At the end of the movie, Randall is thrown through a door and ends up in a caravan where he is mistaken for a gator. The caravan is next to the Pizza Planet truck. It also happens to be the same place as the one with the bugs (above).
  • Finding Nemo: While the escape plan is being shown, as the bags of water cross the road, the truck drives past.
  • The Incredibles (video game): The truck is seen in the level where Dash has 10 minutes to run to school.
  • Cars: Todd is seen in the Life is a Highway scene and is also next to the Elvis car where Bob Cutlass and Darrell Cartrip are talking about the race towards the end of the film.
  • Ratatouille: The truck is seen driving in the background of the sequence where Remy is chased by Skinner.
  • WALL•E: Eve looks in the engine while she is looking for the plant.
  • Up: It is shown parked next to the sidewalk in the city as Carl's house is floating above.
  • Toy Story 3: Lotso, Chuckles, and Big Baby ride on a Pizza Planet truck's rear bumper in the rain at night to get from Daisy's house to Sunnyside.
  • Cars 2: Todd is attending to the Radiator Springs Grand Prix. He also appears in the background of a triptych poster of the movie, in front of Buckingham Palace.
  • Brave: The truck is a wooden carving in the Witch's cottage.
  • Monsters University: The Pizza Planet truck is parked outside the first house party.
  • Inside Out: In a memory orb that Bing-Bong knocks down, in a memory orb that Bing-Bong holds on the Train of Thought, and in several memory orbs at headquarters during the time Riley is trying out for hockey.
  • The Good Dinosaur: There is an asteroid shaped like it in outer space at the beginning of the film.
  • Finding Dory: It is shown underwater during the giant squid chase scene.
  • Cars 3: Todd is seen participating in the demolition derby race, losing his rocket topper in the process.
  • Coco: The truck is seen passing by the Riveras’ during the “no music” montage.
  • Incredibles 2: The truck is stylized in 60's style and is seen outside the apartment where Screenslaver resides.
  • Toy Story 4: The truck is seen in the form of a tattoo on Axel the Carnie's leg.
  • Onward: At the toll gate when Ian and Barley start their adventure by heading to the Manticore's Tavern. The text on the rocket reads "Pizza Realm", as to keep in tone with the fantasy theme.
  • Soul:

Teaser trailers

The Pixar teaser trailers since A Bug's Life consist of footage created specifically for the trailer, spotlighting certain central characters in a comic situation. Though similar scenes and situations may appear, these sequences are not in the films being advertised, but instead are original creations. They basically get us introduced to certain characters.


  • A Bug's Life: All the insects from the circus troupe and Flik gather onto a leaf right before Heimlich bites the end of it off, causing them to fall.
  • Toy Story 2: The green alien toys come up to a center with the claw coming down. First, the claw was carrying down "Toy Story" with the aliens doing their trademark "Oooh". Second, the claw brings down a "2" and with the aliens turning around and looking at the audience and saying "Twoooo". Then Woody and Buzz come up with little greetings.
  • Monsters, Inc.: Sulley and Mike stumble into the wrong bedroom. (Also, in a preview show before the first Harry Potter film, Sulley is shown playing charades with Mike, but Mike is unable to guess the phrase 'Harry Potter', but the end states that Monsters, Inc. is playing right next door.)
  • Finding Nemo: Marlin asks the school of fish for directions and Dory scares them away.
  • The Incredibles: An out-of-shape Mr. Incredible struggles to get his belt on.
  • Cars: Mater, a rusty tow truck talks to Lightning McQueen after hitting and killing a baby bumblebee.
  • Ratatouille: Remy, a grayish-blue rat steals a piece of cheese by a food cafe.
  • WALL•E: Andrew Stanton talks about a time when they went to lunch in the summer of 1994 and had great ideas (Toy Story, A Bug's Life, Monsters, Inc., Finding Nemo, and WALL-E) WALL•E pops out of his yellow body. Then, he makes a cube out of trash. Then, when he puts the cube into a cube of trash square, he looks up at the sky turning to night. Then he says "WALL•E (Walla-Eee!)"
  • Up: A bunch of balloons lifts up a house and in the house we see Carl sitting on the front porch. He says "Afternoon".
  • Toy Story 3: All the toys in Andy's bedroom look like they're building something. Then they show that they have built the Toy Story 3 logo. Then Woody bumps into Buzz, who has built a more refined logo. Later, Woody puts up a set of magnets that say "June 18, 2010" (the release date). Then when Woody leaves, Buzz puts up another refined logo, and Woody; who is off-screen says, "I saw that!", then Buzz leaves nervously.
  • Cars 2: Lightning McQueen and Mater are caught in red lasers.
  • Brave: Merida, in her normal dress, stumbles into the hall of stones alone, sensing Mor'Du's presence from a distance as she prepares to attack.
  • Monsters University: Sulley invites all the students of MU and they start throwing a party in Mike's room, much to Mike's dismay as he is used as a disco ball. There are four different versions of this where Mike says something different in his sleep.
  • Inside Out: The characters from Pixar's previous films display their emotions. Then Joy introduces herself, Anger, Fear, Sadness, and Disgust and they are seen doing a group hug in Riley's mind.
  • Finding Dory: The scene where Dory sleep-swims is played out differently and she sleep swims further than in the film.
  • Cars 3: Lightning McQueen's crash in the Los Angeles 500 race takes place during daytime and is grittier.
  • Coco: Dante gets a bone which brings him a painful adventure to Santa Cecilia's graveyard, A visitor from the Land of the Dead takes the bone. Dante then chases the skeleton. The short ends with the skeleton walking away while dragging the xolo who clings to him via the femur bone.
  • Incredibles 2: The animation of Jack-Jack using his eye lasers is used in creating the logo. Later, the scene where Bob Parr discovers Jack-Jack's powers takes place in the living room and a portion of his hair is cut by Jack-Jack's laser which was not seen in the film.
  • Toy Story 4: Woody, Buzz, Jessie, Mr. Potato Head, Mrs. Potato Head, Rex, Hamm, one of the aliens, Slinky, and Forky move in circle while holding hands until Forky panics about not belonging here and breaks from the circle, causing the other toys to crash into each other.
  • Onward: Ian has to fend off winged unicorns as he takes out the trash, before joining his brother on a quest (which he preferred to have it be a small errand).

Theme of Friendship

The central theme of Pixar is the true meaning of friendship where a majority of films have dynamic duos or groups.


  • Toy Story franchise: Woody and Buzz
  • A Bug's Life: Flik and the colony or Flik and the circus bugs
  • Monsters Inc. and Monsters University: James P. Sullivan and Mike Wazowski
  • Finding Nemo and Finding Dory: Marlin and Dory for the first movie then Dory and Hank for the second one
  • The Incredibles movies: The Parr family
  • Cars franchise: Lightning McQueen and Mater (general), Lightning and Doc Hudson (first movie), Mater, Finn McMissile and Holly Shiftwell (second movie), and Lightning and Cruz Ramirez (third movie)
  • Ratatouille: Remy and Linguini
  • WALL-E: WALL-E and EVE (romantic duo which is a first for the friendship theme)
  • Up: Carl Fredricksen and Russell
  • Brave: Princess Merida and Queen Elinor (mother and daughter duo)
  • Inside Out: Joy and Sadness
  • The Good Dinosaur: Arlo and Spot
  • Coco: Miguel Rivera and Hector
  • Onward: Ian and Barley Lightfoot (dynamic brother duo)
  • Soul: Joe Gardner and 22

Theme of Self Improvement

Pixar's films have a recurring theme of self-improvement.


  • Toy Story: Woody, who was Andy's favorite is jealous of Buzz Lightyear becoming Andy's favorite. At the end, however, he does not mind whether or not being Andy's favorite, just as long he is always there for him.
  • A Bug's Life: An ant colony originally saw themselves as weak, puny, and unable to fight by themselves, leaving them at the mercy of the grasshoppers. However, Flik eventually made them realize that they are actually stronger than the grasshoppers, as they outnumber them, and eventually manage to defeat them and exile them from Ant Island.
  • Toy Story 2: Woody was horrified by the thought of Andy outgrowing him, but eventually realized that, while it's inevitable, he can at least enjoy the time he has left with him.
  • Monsters Inc.: Sully is proud of how scary he is and is excited about possibly breaking the all-time scare record. In the end, he realizes scaring is not really so good, and even has the whole factory making children laugh instead.
  • Finding Nemo: Marlin, at first, is a paranoid father who over-reacts to everything that has to do with his son, Nemo. In the end, he is not as safety-conscious.
  • The Incredibles: Bob prefers to work as a superhero alone. In the end, he realizes the importance of teamwork and lets his family help him.
  • Cars: Lightning McQueen is arrogant and believes winning is all that matters. In the end, he realizes it is not and even helps another race car in the Piston Cup tie-braker cross the finish line despite it costing him the race.
  • Ratatouille: Django originally thought that is impossible for a rat to be something more than a scavenger, and that is impossible for them and humans to get along. However, after seeing his son, Remy's passion for cooking and Linguni's loyalty to him, realizes that they can indeed be something greater than what they seem and that humans and rats can be friends.
  • Wall-E: The people aboard the Axiom are overweight and rely on AI machines to do the most basic of things, including moving about. At the end, after AUTO and the other machines mutiny, the people are walking about on their own two feet.
  • Up: Carl Fredricksen refuses to leave his house, because it keeps him closer to his late wife, so much that when he is forced to move out via court-order. He attaches millions of balloons to it, he cares about it more than he does about living creatures (like Kevin). In the end, he decides it is just a house, and realizes his new-found friendship is more important, as well as having new adventures with them.
  • Toy Story 3: Woody tries to see the good in Andy no longer being a kid, but not doing any good. Eventually learns to let go of his insecurities about his owner growing up and have him and the remaining toys of Andy's be passed on to another kid.
  • Brave: Merida is constantly arguing with her mother about wanting different things. In the end, they see each other's arguments and make amends.
  • Monsters University: Mike aims to be a great scarer. When he realizes he is not scary, he is shattered. he eventually realizes his strengths are in coaching scary looking monsters.
  • Inside Out: Joy thinks Sadness is bad for Riley because she thinks Sadness would only make Riley feel miserable. However, in the end, she realizes Sadness actually helps Riley experience true happiness.
  • The Good Dinosaur: Arlo is cowardly and low in self-confidence. He goes on a big adventure with a human and afterward he is brave and confident.
  • Finding Dory: Hank, the septipus supposed to be released back to the ocean, desperately decides to go to an aquarium in Cleveland instead of being sent back to the ocean due to a traumatic experience where he loses a tentacle, but eventually learns that life in the ocean is better than being isolated in a box.
  • Cars 3: Lightning McQueen, being overshadowed by a newer and more advanced generation of racers, decides to improve his speed in order to save his career, even if the newer methods never seem to work on him and he still hasn't improved, but eventually decides to have Cruz race on his behalf while he coaches her, learning that just because he's not actually racing does not mean he cannot actually play a big part in the sport.
  • Coco: The Rivera Family believes that music is a curse when an ancestor chooses to follow his dream of becoming a musician, but eventually learn that said ancestor did care about his family after all (as his still-surviving daughter secretly kept his memory alive throughout her life with poems and letters sent to her from him throughout his lifetime), and the the family learns that music is not really that bad and finally accept it in their lives.
  • Incredibles 2: Bob tries to be a better father to his kids.
  • Toy Story 4: Woody becomes less prominent to his and the other toy's new owner and is in denial about the reality of his situation and his insecurities. He eventually learns that he has fulfilled his purpose as a child's toy and decides to be with his former love-interest (who also has no owner), and help other toys find new owners.
  • Onward: Ian Lightfoot is insecure and lost because of he never knew his deceased father and wants to spend what little time he has with when he is magically revived for a day. But he learns that while his father may have not been with him in his life, he already achieved everything he wanted to do with him, but with his family instead (especially his older brother, Barley) and thus his spirit lived in them all this time and he can move on with his life.
  • Soul: A jazz teacher realizes the difference between alive and just living.





This a list of Pixar movies that became franchises after getting 1 or more sequel and/or prequel films, short films, or TV specials based on the films. The first of which being Toy Story, then Cars, Monsters, Inc., Finding Nemo, and The Incredibles.

Title Release date
Toy Story 1995-Present
Monsters, Inc. 2001-Present
Finding Nemo 2003-Present
The Incredibles 2004-Present
Cars 2006-Present

See also

External links


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